A Study Of Xie Zhen’s Aesthetic Taste Of Si Ming Poetry

Si Ming poetry is a poetics theoretical book written by Xie Zhen who is the famous poet and poetics theorist of the Ming Dynasty,it wrote the essences of his poetry creation experience.It has four volumes,totaling more than four hundred and ten.It involves writing poems,discussion poems,appreciation poems and evaluation poems.It embodies Xie Zhen’s profound poetics thought and has a unique position and value in the history of Chinese classical poetics.Si Ming Poetry permeates Xie Zhen’s strong personal color from all aspects,which is the most intuitive presentation of Xie Zhen’s aesthetic thoughts.Therefore,based on the analysis of the text of Si Ming Poetry,my paper tries to comprehensively understand Xie Zhen’s aesthetic thoughts,especially his aesthetic taste.Firstly,it expounds that aesthetic taste is a theoretical connotation of aesthetic consciousness and aesthetic pleasure feeling with certain tendencies and stability in the aesthetic judgment of the subject in the aimless and unutilitarian way by combing the relevant theories of "taste" and aesthetic taste the history of Chinese and Western aesthetics and recognizes that the formation of aesthetic taste is influenced by many subjective and objective factors.On the one hand,analysis careful reading and analysis of the text of Si Ming Poetry and the exploration of the background of Xie Zhen’s life,it expounds his ideological inclination of advocating "poetry should be based on the flourishing Tang Dynasty",emphasizing "Qi",respecting " Li Bai&Du Fu" and taking the realm of the flourishing Tang Dynasty as the ultimate aesthetic ideal pursued by his poetics all his life under the influence of the vigorous literature retro movement in the Ming Dynasty.On the other hand,it focuses on the analysis of Xie Zhen’s ideology.As a scholar infiltrated by traditional culture,Xie Zhen is deeply influenced by Confucian,Taoist and Buddhist cultures.In Si Ming Poetry,Xie Zhen puts forward such poetic thoughts as "natural language creation","heart and lungs vomiting" and "perfect work".He attaches great importance to the natural appearance of poetry language,emotional expression and exquisite workmanship,and shows him.Pursuing the aesthetic ideal of "The magic creation of nature" in poetry.Secondly,under the influence of the aesthetic ideal of advocating " Poetic style &Features of the golden age of Tang Dynasty " and " The magic creation of nature ",Xie Zhen fused the spirit of Confucianism,advocated the aesthetic taste of "noble and vigorous" and preferred the vigorous and vigorous temperament,which was full of strength and momentum;at the same time,he also preferred the vigorous and vigorous temperament of Taoists;he also maintained the inaction of Taoism and penetrated Zen.Under the edification of detachment from understanding,we advocate "aspiring to be ancient and elegant",advocate the simple and elegant aesthetic style in taste,and regard the elegant charm and elegant interest as good-hearted.In addition,Xie Zhen also likes the beauty of external chanting and singing of poetry,advocating that "the sentence is bright,you can chant it",pursuing the aesthetic taste of the music of poetry,and loving the beauty of clear and harmonious rhyme.Finally,under the guidance of stable and elegant aesthetic taste,Xie Zhen finds beauty constantly in the magnificent and all-embracing world of poetry and realizes boundless aesthetic pleasure in his mood,so that he can still use this self-indulgent way of self-cultivation in his distressed life,dispel sorrow and resentment,enrich his spiritual pursuit of introversion,and realize many pleasures of life.Nowadays,many confused and frustrated people form good aesthetic taste and enrich their inner world to provide certain enlightenment and help.At the same time,under the guidance of diversified aesthetic tastes,Xie Zhen’s aesthetic thoughts are more open and his vision is broader,which helps him to appreciate the limitations of the theory of retro-classicism in the poetry circle of Ming Dynasty,thus correcting its drawbacks and provides effective inspiration and reference for the formation of the theory of "childlike innocence" and "spirit".Of course,aesthetic taste is a subjective product,which has a certain tendency.Therefore,from a macro point of view,Xie Zhen’s aesthetic taste also has the defect of respecting the Tang Dynasty and restraining the Song Dynasty,which leads to his relatively rigid standards of poetry.In addition,Xie Zhen in order to satisfy his interest,renamed the poem well.He overlooked the overall aesthetics of the original poem and overlooked the beauty of the essence of the original poem.On the whole,the paper mainly centers on the origin,types,values and limitations of Xie Zhen’s aesthetic taste in Si Ming Poetry,combs his poetics and aesthetic thoughts comprehensively,and explores the aesthetic characteristics and aesthetic features of Si Ming Poetry in depth.