The Theory Of Beauty Of "form" And "state" In Chinese Character Design

Chinese culture and Chinese characters are the treasures of world culture. In the traditional culture and ideology is increasingly being advocated, Chinese characters design also use the heat by more and more people begin to value, along with many problems are exposed.Chinese characters are very strong expression of the beauty, it is not only reflected in the form of words, but also reflect on the structure of the beauty of form in word, should complement each other, can highlight between Chinese characters of integrity and aesthetic function. Chinese beauty is necessary, also born, from the traditional folk art, calligraphy and font hand calligraphed, we can enjoy a traditional flavor of Chinese characters "form beauty". Analysis and reference to the font, and beauty of form to modern Chinese font design for modern Chinese, will create a new Chinese characters design.We are now commonly used Chinese characters printed, but the basic design of Chinese characters, such as song typeface, they form the bold? In computer equivalents discover not hard, straight, neat and easy song typeface, convenient and flexible application of publishing printed. Meanwhile, the song typeface forms mediocre, drab, emotional apathy, machinery, too. Although song typeface evolved from TangKai pragmatism, but in the long term, driven by TangKai picturesque beauty has been lost. Namely, lack of "state". The practicability of the font, font in Chinese characters, mainly from the overall design of the function, the artistic form small font attention.The paper, from the analysis of innovative ideas of traditional culture, folk art, calligraphy with reference to hand calligraphed cultural treasures, such as the design of "state" beauty and the aesthetic concept, forms, and explores how to apply the concept of modern typeface design and graphic design. Objective to improve our modern print the typeface design and graphic design, development of diversified culture grade typeface design style.The research on the typeface design, more people just concern structure, and the words of popular computer print later, only a handful of technical scholars mentioned han font "image", seldom someone attention han font "form", for the beauty of Chinese font "state" is no concept. Word is in fact a normal beauty exists objectively, the so-called "normal", including beauty ugly, clutch. We are familiar with, and use a lot of font cannot say no words, such as song typeface, bold, evolved from TangKai in what TangKai retains the life. But after hundreds of years of evolution, the practical and they now appear more "clutch" of mediocrity. Practical doesn't mean completely, people's spiritual demand is also an important part of life, culture so strong typeface design art!Traditional Chinese culture on the calligraphy art, carved by the dates for the print, consistent and folk fine arts acter, is that cannot ascend repeating. In the design era today, Chinese characters design is far behind the development of modern design. Chinese characters design lacks personality and character, there is sense of beauty, and Japan, Hong Kong and Taiwan in this aspect have made some achievements Therefore, to Chinese characters "form and state" beauty comprehensive thorough research, the urgent and important tasks.This is based on modem graphic design of han typeface design, lack of aesthetic utilitarian indifference, a series of problems were discussed, based on traditional culture, folk art thoughts and calligraphy font and other art forms of aesthetic analysis, combined with the analysis of the traditional font design, excellent example of the principles and methods, and now the typeface design will have certain reference and help for the future, han typeface design exploration has certain guidance. Believe, both ancient and modern or future, the beauty of "form and state" is there.