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China Mainland Ethnomusicology Basic Theory Research Development In Early 21st Century

Posted on:2011-10-07Degree:MasterType:Thesis
Country:ChinaCandidate:X P LiFull Text:PDF
GTID:2195330338975160Subject:Music
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By comprehensive literature study and comparative research, based on analysis of ethnomusicology basic theory before 21st century, this article provides a review of ethnomusicology theory development in China mainland during the first 10 years of 21st century. Meanwhile, it discusses some related important issues and try to give innovative ideas.At end of last century, western ethnomusicology basic theory was introduced to China. With efforts from music academics, it began to spread, and was applied into musicology research. Together with it, discussion and debate on subject definition, category and methodology raised. It showed up in 1980 Nanjing Meeting, and never faded out since then.Since beginning of 21st century, ethnomusicology academia in China mainland has been continually developing, and investigation filed vigorously expanding. While translating and introducing western ethnomusicology basic theory, scholars began to use it in research practice and started deliberation. Instead of study and learning only, they tried to build a local ethnomusicology theory based on local experience and practice, with which they could initiate dialogue and communication with western. As a landmark of academic autonomy and maturity, localization issue appeared on agenda.Meanwhile, fieldwork has been widely accepted as an ethnomusicology basic research method. Young scholars consider it as the rite of passage. In recent years, by borrowing related research achievements in anthropology, sociology, religion and linguistics, a postmodern interpretive anthropology experimental ethnography method was created, and applied in musical ethnography writings. These efforts are hardly mature, but the innovative mind is valuable.Nevertheless, as a new academic filed with no more than 30 years history, foundation of ethnomusicology in China mainland is still weak. Related classics were not fully translated into Chinese. Many meaningful theoretical issues were not resolved yet. Constructive or emotional criticism and advices about this are often proposed.
Keywords/Search Tags:Early 21st Century, China mainland, Ethnomusicology, The Anthropology of Music, Theory, Development
PDF Full Text Request
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