Aesthetic Studies On The Grotesque Style Of The Ming And Qing's Painting And Calligraphy

Abstract::The Ming and Qing dynasties is in the late of China's feudal society.The art,of which the end of dynasty is meaningful. Through the culture of this period especially,when we unpick and merge it,when we look it carefully, we can realize the social phenomena and the deteriorate,the colorful of the end of the feudal world. How to choose an appropriate and reasonable perspective to proof the community effectively, I believe that calligraphy and painting art is a precise and appropriate entry point. The performance of painting itself, convey the nature of the creation feelings, or lonely, or joy, all leap off the paper, overflow in people's hearts. Furthermore, the category arts, for its richness and diversity in selection and technique of writing, we can realize the relation between static and dynamic. Calligraphy and painting is a good expression of static to dynamic. Once the calligraphy and painting creators'vigorous ideas presented in the paper, the audiences realize the elegant beauty through the streak, even the creative state of mind of the creator himself.So that, Painting and Calligraphy as a entry point, we can understand the culture and spirits of Ming and Qing dynasties, the academic and theoretical value is depended on it too. The appearance of the Grotesque style of the Ming and Qing's Painting and Calligraphy, has aroused widespread concern in literary theory circles, while perform grotesque is also artists'ideas in practice. To some extent,aesthetic studies on the grotesque style of the Ming and Qing's Painting and Calligraphy,can be from a different perspective interpretation the expression of Chinese Painting and Calligraphy. The powerful rally in this field, is a reflection of the times as well as the people's mental outlook. Studies on the grotesque style of the Ming and Qing's Painting and Calligraphy,we can understand the Ming and Qing society better. At the same time, while this style is a breakthrough of the stylized art of the past, its innovative spirit can also play a good reference for the development of today's art.This paper consists of four chapters to study the grotesque style of the Ming and Qing's Painting and Calligraphy. In the first chapter, I dicuss the connotation of the grotesque style, look grotesque through literary theory and painting and calligraphy. I write the grotesque Painting and Calligraphy of Ming and Qing dynasties,as well as their representatives in the second chapter, to explore the performance nature of grotesque.In the third chapter, I analyze the reasons for the grotesque styles of Ming and Qing'Painting and Calligraphy. I explain the worth of grotesque styles in Ming and Qing'Painting and Calligraphy in the fourth chapter, to found its aesthetic value and inspiration significance in modern painting and calligraphy.