Ming And Qing Dynasty Calligraphy And Painting Market Research

Chinese calligraphy and painting works as a commodity to enter the marketcirculation field, have experienced a long historical development had become.But from the current academic research field for Chinese calligraphy andpainting view, historical process of the commercialization of research, it is notform a complete system. So on this topic for calligraphic and painting worksof trade are to be further discussed.A historical records of painting and calligraphy trading activities, has nowbeen confirmed for works of art from literati noved collection begin. The"commission on han book","art.no.17painting" phenomenon, calligraphy andpainting can be seen as market value in China with the earliest record."HouHanShu" LiuLiang, word written "Raman mountain, with selling booksin city since endowment" can be regarded as a kind of isn’t out practicalfunction of the calligraphy sale phenomenon. According to the past dynastiesrecord "records, paintings in the wei jin nan bei dynasties XiaoZiYun etc, twoKings, and all the works of calligraphy have already appeared in the markettransaction process. In the song, qi, then spread between audience.poor "buyWang got Yang, don’t look" view. Lost This will explain wang xizhi, sheep hincalligraphy work such as in the market has made a good reputation. InChinese feudal economic development to the prime of sui and tang dynastiestime, people’s demands have become strong calligraphic and painting workstogether. Famous calligraphic and painting works of all are marked with clearmarket price, the rating has become clear up, and appeared nearly "day price"works of art, besides special painting and calligraphy businessman also beginsto appear. To song dynasties, urban development of rapid, citizen stratum,commodity economy growing in daxing, calligraphy and painting marketdevelopment took shape, form the different levels of painting and calligraphymarket, begin to emerge to sell for a professional painter painted, scholars alsostarted to active into calligraphy art market. When the royal family of paintingand calligraphy, government and demanders including the export trademonasteries, folk. Painting and calligraphy business selling in the event of theevent and buy between circulation, appear intermediaries--YaKuai. To theyuan dynasty calligraphy and painting business activities have more general,"one paper daughter" business phrases such famous has been widely used in the evaluation work. But whether have fixed distribution sites, which meansthere is no historical records of calligraphy and painting bought hiddencoincidence, the phenomenon is still exist only text personage, not fullypopularize between Cardiff and folk.Even during the Ming and qing dynasties, painting and calligraphy artmarket into an abnormal prosperity stage, calligraphy and painting marketformation fixed center, more focused on economic center city. Folk literatipainting painters and painters sell became a common phenomenon. In paintingand calligraphy business quite centralized cities, appear even the guild natureof the line organization. Artwork price tag, prompting more people engaged inart creation, the fierce competition between each other again to improve thequality of art declination, participate in painting and calligraphy trading andthe number of calligraphy creation reached an unprecedented scale mostly.This thesis mainly from the Ming and qing dynasties, social culture ofpainting and calligraphy creation subject and market circulation impacts,elaborated the prosperity of Ming and qing calligraphy and painting marketsituation and operation mechanism. Tries to the history of Ming and qingcalligraphy and painting market, to analyze the painting and calligraphyprosperity as a kind of special commodity, in the special market distributionrule and law of value, trading for contemporary art market operation providehistorical reference.