| During the late 1990s, the change of the domestic political and economic environment of South Korea contributed to the dramatic transformation of the structure of its movie industry. Moreover, the impact of the infusion of the business capital, movie policy and the transformation of its movie culture are indispensable. Afterwards, both the output and the market share of its movie are increased substantially, and the domestic market share of the movie increased from 20% in 1970s to 36% in the year of 1990. In addition, the type of the movie is no longer limited in a single field, instead its type ranges from political, comedy, romantic, gangster, scary to social to meet all kinds of audiences'needs. Furthermore, another noticeable factor is that the Korea people are intensely patriotic and they have the infrequent national cohesion, which also brings about the great success of the Korea movie. The Korea people love and support their nation irrationally, and this national characteristic penetrates the Korea culture which includes Korea movie. The analysis of the national characteristic of Korea in its movie and of the construction of its audiences'value is a arduous problem.And from the view of movie criticism and foreign movie historical theory, this essay makes an analysis about the national culture issue of Korea movie, and to a deep extent searches for its film studies meaning and psychological significance.At present, we have made rich searches about Korea movie, while applying the screen history studies to Korea movie is still at the blank stage, furthermore, and we are week at both the new historicism theory which newly entered into the movie research and the analysis of image building of the country, as they lack of the theoretical basis. The innovational part of this essay is integrating the original screen criticism domestic and abroad with the unique Korea national character into the analysis of Korea movie to inject new blood in it and get it further developed. |
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