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T Sr God Enough - Analysis Of Liang Kai's Ink Art

Posted on:2012-02-18Degree:MasterType:Thesis
Country:ChinaCandidate:J X LiFull Text:PDF
GTID:2205330332989996Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Southern Song Dynasty Liang Kai is a legendary and innovative painter, painting skilled, man wild. Subjects of his paintings of Zen figures, birds and flowers landscape as a theme, a pen flowing free and easy. He inherited the basis of the previous painting, created a less pen, a large freehand ink painting style figures, which will figure in the expression of ink that a peak. However, because of his old-fashioned style of the rise of the Yuan Dynasty, making the document all the way to the painting by Liang Kai in the later dynasties been demeaning. And Liang Kai suffered cold in China different is that he was large egos in Japan. From Japan's Kamakura period (1185-1333), the Liang Kai, Southern Song artist is often such a large number of paintings brought to Japan, while in China more influence than the Northern Song Dynasty landscape painting and the later paintings are rarely spread to Japan. Liang Kai superb loved by the Japanese ink painting techniques, the Japanese Muromachi period (1338-1573) after the artist also had a huge impact.Liang Kai both from the creative art of painting techniques to the overall style, or language from words to pictures artistically, have broken through the formation of paintings by the artistic characteristics, to a certain extent changed our understanding of the traditional figure painting, as we demonstrated a new style of figure painting. Liang Kai reduction in pen, ink character style of the later period of the Zen style and the Song and Yuan Qing large impressionistic style has an important character impact, the achievements of his important position in the history of Chinese figure painting.The purpose of this paper is the author collected the pictures, text, data collation and synthesis of a comprehensive system of Liang Kai painting style and artistic characteristics of, for the next study to be a very good bedding. In this paper, the context of Chinese history and culture of Liang Kai's painting for the grasp of the macro, and its representative paintings by contemporary artists and works of art and the artist's painting style is similar to painting works of art compared to a deeper level of inquiry Liang Kai Features painting, and the causes.This article is divided into four sections. Foreword briefly describes the life and painting Liang Kai Research, made this point and significance of innovation. The first chapter is a painting style of Liang Kai, and through literature and paintings of Liang Kai Liang Kai Liang Kai's painting different types and styles of painting. Chapter painting style of Liang Kai reasons for the formation. This chapter is the innovation of this paper, and also the emphasis and difficulty of this article. Chapter status with contemporary Chinese ink painting, painting of Liang Kai academic value and inspiration of contemporary Chinese ink painting.
Keywords/Search Tags:Liang Kai, ink, Zen, Shang Yi
PDF Full Text Request
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