Alternation Of The Chinese Narrative Of Contemporary Female And Feminist Consciousness

The feminine consciousness of the Chinese contemporary literature hasbeen the academic fOcus of late years. Bul the study Which has been existed ismain1y focus on the analysis of the feminine writer and teXt from' eightes,especially from early nineties. It is said the feminine questions have beenexisted for few years. In fact, the "discofltinuation" of the feminineconsciousness once aPpeared in the contemporary literatWe do not demonstYateher elimination, colltrary to this, she has been making her best endeavor toreflect and fluid in the slit of the authoritarian culture. The degree of thefluidness is controlled by the concordance Which relate to feminineconsciousness and revolotionary or political language. With the presence of abatch of neo-generation feminine writers, the feminine writing will come toblend again, from division and resistance to" residence together". Manypeople asseft the feminine consciousness will be confronted wth the" discofltinuance" again. By historical studies, my main point is to describeevery changeable period and its character, to assess the tuffiing and changeablefeminine literature from late nineties.Latent Period' In a time when the revollltionary language overlaP thesuPremacy language, the feminine idea in the revolution profOundly influencethe female and feminine literature. One aspect is that the feminism overthrowthe 1Iadition Which the male is noble but the female is humble, and so make theroom wden for female liberaton. "The seventh year "feminine writers all canput the feminine liberation on the culture. society. race. class and revolution.war. violence .sacrifice in the political range beyond the gender which relate tothe countYy ideology. So, this makes their text consume with the bright colorof the politic and practice. But the hypothesis of the feminism eliminates scopeand difference between male and female. This means that the female onlymakes herselfto "male", she is possibly access to the history. So ', feminineexperience and feminine language become imPossib1e and unnecessary. As oneof stratergy, feminine describe must combine with the revollltion and violenceto get the right to exist, for examPle "The Song Of The Youlh". "TheMissing Bean )'. "The Lily". Wth the protection of the revolutionary narratemodes, the feminine narrate can exist and itself cofltain the power to ovefthrowthe revollltionary narrate. Bllt at the same time, the sttategy itself confrontwith the danger of being covered and being shaded. So, the feminineconsciousness only exist under the text with the form of pieces.Revive Period. In the late sevellties and eaxly eighties, because of thesocial change, the feminine consciousness and narrate resumed again.Resorting to the enlightened words, it presellt violeni feminism color, afflrmanXiously the essential feminine right. resist indignantly the traditionobstructing the feminine development. The loving narrate modes, the resistingfamily narrate modes and the feminine homosexual narrate modes are theirobjects. Bot the feminine personal emotion and their circumstance arecatelogue and assert in the range of paternity language, Guided by the nationalparable,the main function of the feminine image is to take the great social andnational anxiousness and misery,such as Lu Wen ting,Zeng ling er dnd so on.Furthermore, with the revive of the feminine consciousness, the mire of thelanguage becomes clearef, and the feminine elltity is not intact yet.Developmeni Period, In the middle eightie,literature language change,from the enlighen to the modernism, It provided the possibility to solve thequestion confront with the feminine literature that is lack of the language andthe void of the desire. Because of the endeavor of the feminine writers such asCan xue, Wang' Anyi 5 Tie Ning j the feminine language is imitated as theb1end of under-consciousness scene and feminine circumstance scene .Thefeminine narrate modes...