The thesis deals with the subject from three aspects: the comprehensive exposition of Chinese flute reforms in modern times, the review and thinking over it, and the inheritance and development of it. It comes to a conclusion that the improvement of Chinese flute must come back to the traditional form. So the urgent task at present is to explore its ancient cultural connotation, to use western music for reference, to seek the support of professional compose, to improve the teaching models and strengthen interrelated theoretical research. |