Analysis Of Aesthetic Consciousness Exists As A Type Of Chinese Postmodernism Movie

With the all-around revolution of politics and economy during the late half of 1980s in China, Chinese culture has taken place new changes.Gradually,pepole bagan to look after good lives,abundant materials,and appetency,instead of political passion and great ideal about culture.A kind of new circumstance about culture had been naissance in China which quickened the turn of film's situation.At the same time, film's company began to think about the box office in order to compete with others.With the rise of mass culture,the film circle held a big discussion on "amusement",which caused amusing elements gradually added into film. And the films characterized by postmodernity became certain.In 1992,Sanmao was in the army was produced by Jianya Zhaung.This was the first real postmodern film of China.From then on, we began to own postmodern films ourselves.Many Chinese postmodern films born the palms in the international film festivals.More and more audience began to attention Chinese postmodern films which had been a kind of type.As a kind of type ,Chinese posetmodern films have their own characters of aesthetics.Directors are accustomed to express the main idea with the manner of trope.In general,there is no full clue of narrate in the postmodern film.The strategies of postmodern films mainly are adopting the skills of pasting-up and diverting,deforming and imitating and amusing,in order to reach the aim of breaking up classics and making fun of authorities.And postmodern films strengthens the pursuit of secular desires,and breaks the myth of the hero.It also destroys the spiritual pattern with the feature of history and makes art closer to common people's experience. While banishing various political and moral authoritative sayings.The third part is talked about the psychology of aesthetics to watch Chinese postmodern films. At first,postmodern films caters to the psychology of people in China currently.Secondly, in 1990s, Chinese multiculture gives us new chance to rethink the past sutra and traditional criterion.At last, significance and value of Chinese postmodern films should be affirmed,and it would be a luciferous future.