The Heritage Values Of Tibetan Handicrafts

In our country, as soon as mentions Tibetan nationality, the people first by material culture color and so on their multi-colored clothing, ornament and Buddhist musical is trument attract, specially the modelling each different, the manufacture fine Tibetan nationality handicraft is command very many person of shares subdues. They may many use the quantity, distributed broad, the space and time span to be big, the historical glorious such several words described that, Tibetan nationality's handicraft production manufacture most has the characteristic. Tibetan nationality's handicraft is the specificnatural environment, the special manufacture craft, the special national character and style product. Hadbeen through repeatedly 1100 the development, has produced large quantities of artistic high-qualitygoods and the excellent technique, the jewelry, the Tibetan's knife which likes which in the religiouslife to use Buddhist musical is trument, in the daily life uses, the mask, the butter sculpture which inrecreational activity appreciates and so on, all was in the Tibetan nationality handicraft outstanding person. They are the historical development testimony, the society transform remain, the science and technology crystallization, the cultural art record, has the precious cultural relic value. This article is from discusses Tibetan nationalityhandicraft cultural relic value this link to obtain, preserves the Tibetan nationality handicraft and the nowadays popular Tibetan nationality handicraft category and its the present situation through the analysis history in, attempts diligently to inquire from the different angle the Tibetan nationality handicraft cultural relic value, to further expands the Tibetan nationality culture the influence scope, enhances the Tibetan nationality art research the depth and develops the Tibetan nationality handicraft well-knownness and the circulation scope.According to this overall logical mentality, present paper structure as follows:First is the introduction are partial , the introduction partially divides into four sections,respectively is: This selected topic proposing with research goal and significance, research scope and limitation, research technique, and this selected topic related literature discussion;First chapter the topic is "the handicraft and the cultural relic concept theory discrimination" , must deliberate following five sections the content, they respectively are : The handicraft concept, the Tibetan nationality handicraft applicable scope andclassified , the cultural relic concept and the national cultural relic, the cultural relic value theory perspective, the handicraft and the cultural relic similarities and differences.Second chapter of topic is " the Tibetan nationality handicraft classified research", in this chapter, I divides into the Tibetan nationality handicraft four kinds, they respectively are: The production life with the category, the category, the religion uses the category and other kinds. Indeliberated when each concrete category, I discover in each category comparatively to have the representative as far as possible several kind ofTibetan nationality handicraft to take the example, explained this category the present situation and the correlation situation.Third chapter of topic is "the Tibetan nationality handicraft cultural relic value specificallymanifests and the theory discussion " , in this chapter, I studied from four aspects has discussed the Tibetan nationality handicraft cultural relicvalue , its concrete content was: " The Tibetan nationality handicraft social history value" "the Tibetan nationality handicraft scientific cultural value" "the Tibetan nationality handicraft use value and the esthetic value" "the Tibetan nationality handicraft synthesizes value surface view" .Fourth chapter is "the conclusion" are partial, in this chapter, I to the above analysis discussion from "the sincere historical feeling and the bright time feeling convergence" "refracted" "the note which the Tibetan national minority rich nationalculture the multi- prisms " , in the Tibetan nationality culture history coagulated" these threeaspects to carry on the summary, thought the Tibetannationality handicraft cultural relic value unfolding, had the multiple influence and the different stratification plane value, to the next Tibetan nationality handicraft development, the development, the use proposed own view, also initially involved regarding the Tibetan nationality handicraft in cultural exchange function.Finally lists "the reference" and "the appendix: Tibetan nationality handicraft chart of symbols" .