Love War Candles Under Bliss World,

Hong Kong literature speaks in the multiple linguistic environments presents the extremely unique cultural moral character.The populace expend cultural big line of it to say that, the popular literature becomes the literary arena mainstream day after day.Li Bihua took the Hong Kong literary arena a wonderful pen, the love novel creation which was in a class by itself has conquered the multitudinous readers, and has won "the world loved the first person" the fine reputation. Her creation does not rigidly adhere to general love story in the real pattern, often has integrated a richer connotation. To the sex words and the human nature attention, with tracks down to classical and historical being infatuated, as well as the peripherization writing angle of view causes her work to present the artistic special characteristic which the wonderful and strange character, appeals to both cultured and popular tastes. Li Bihua is on the complex Hong Kong culture domain together the unique scenery, she is in the Hong Kong multi-dimensional culture evolution, has made own sound, creates one kind refinedly new and strange "the Li Bihua style".Li Bihua has written about the love to the extrem, also among the factors of the history,classic, politics, fate and so on. She took advantage of this metaphor immediately, the exploration floats lives of the world. This article pays attention to the multiple angle of view, as well as dives to the human nature and the identify in-depth contemplation.The full text is composed of five parts, the first part is the introduction, the main body part constitutes of three chapters, the final part is a conclusion. Various part of key elaboration content is as follows:First chapter mainly elaborates in the love angle of Li Bihua work , the writing of love and sex, the self-examination of sex language and she builded the new relationship of men and women.The second chapter discusses newly organized story, the tradional fate and the classic culture .Moreover, she adheres to the writing of social emotion and take the Hong Kong history into original state . She constructs the metropolis phantom by imaging and building classics.Third chapter displays Li Bihua's writing posture: her works suit both refined and popular tastes and she writes strangely about the cultural revolutionin as well as its status approval anxious and crisis.The end is the conclusion of themultiple angle of view. We pay more attention to Li Bihua.