| Since the end of last century, tragedy appeared continually as a sort of aesthetic form in novels. When facing tragic subject, authors have different selections. But it can be summarized in three kinds: losing love, drifting without roots, foreordination of existence and poorness of low society. In the three kinds of subjects, there are different characterizations. Tragedy spirit is acquitted and stinted to a certain extent again in Chinese literary world because authors fall over their selves for writing tragedy since the 1990's.Tragedy spirit is in tragedy, it is a substantial clause that tragedy become itself, it exists as an indispensable sense of sublimity in tragedy. Despite the proposition about whether or not tragedy existed in Chinese was begun in recent periods, the novels since 1990's have given their answers in use of demonstration. The configuration and exhibition of tragedy spirit are diversiform. The text has detailed elaboration from the two important aspects of religion and realism, macroscopic history and microcosmic individual. In these novels that have tragic conflicts, the reactivation of literature traditions that were arisen in the past half century can be seen, for example religion and regression of realism in a way.The end of last century is an especial date. Along with the rapid development of economy, entire community structure and hominine values are emergency transform that haven't happened in the past. The configuration of authors in 1990's is very complex, but whether social or personal causality, the essential conditions have be afford undoubtedly for handwriting and stinking tragedy. But watching from the especial date, tragedy spirit in the time have not only acceded didacticism in contemporary literature, but also dig human, at the same time, the writing thought of political ideology since the new age in China have be divorced. In this sense, tragedy spirit in novels since 1990's embodying intense historical meaning and realism value. |
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