Verses From The Style Of Landscape Painting In The Local Real Study

As a painter lived in the Ming and Qing dynasties, XiaoYuncong had the identity of adherents. He also had the identity of the representative Kou Shu School painter, opened a new local school. When he coordinated the relationship between the two identities, he found his artistic position in region culture and the trend of times. He created a unique style of real landscapes. Unlike Huangshan groups in Huizhou and, Xuancheng and individual artistic style, XiaoYuncong liked to absorb real picturesque when he painted. Studying on the most representative works of actual terrain of the landscape, the paper analyzes the inner elements of the formation of his unique style.The paper bases on two background aspects. The one is individual identity which community generally cared in Ming and Qing Dynasties. It is also that the identity of adherents influenced the painting style of XiaoYuncong. The other is the cultural surroundings of his painting style, the choice of subject and his style. Because of the lack of historical documents, the paper selected his famous《TaiPing landscape painting》and《treating alien land like hometown》which also expressed the same geographical real landscape. By using the prefaces and postscripts provided by these two works, see in the small, the paper dialyzes social factors, geographical and cultural impact on his own choice, as well as the role which the painter played in the course of establishing the style of the real landscape.The article is divided into five sections. The introduction is about the state of studies in academic history, the cause of this choice and the value of the choice. Chapter 1 takes《TaiPing landscape painting》and《treating alien land like hometown》for example. It first introduces the unique expression of real landscapes of XiaoYuncong, and points out the corresponding relations between region culture,artist'thoughts,identity and unique expression. Chapter 2 introduces the geographical and cultural backgrounds of the formation of real landscapes and the social status of the painter. It introduces what subjects of works, traditions of painting and drawing way are. The paper analyzes the external factors of the formation of the unique artistic style. Chapter 3 analyzes《treating alien land like hometown》in-depth, reduces the conflict state when the painter created local real landscapes. The paper tries to analyzes the formation of the conflict state by the poems, prefaces and postscripts. To do this, it clearly shows the formation of the real landscape painting style. Chapter 4 is about the unique style of landscapes. It analyzes the status of the Qing Dynasty painting of Xiao Yuncong, the concept of local School, the influences on successor s from the real landscapes.