Creation Of Landscape In The Pursuit Of Watercolor Ontology Language

In modern watercolor art, with the continuous development in subjects, absorbing positive factors of other kind of paintings, the new form of expressions, and the material emerging in an endless stream, the watercolor painting changes day by day, and the watercolor language tends to be pluralistic. The numenon language of the watercolor painting has become a problem that can not be avoided. The particular characteristics of the numenon language of the watercolor painting determines its embracement in technology, which both borrows the thick-spread and the color constitution of the oil painting, and fuses the drawing and freehand brush of the Chinese painting; it can also develop its advantages, using various special techniques to enrich its language form. The multidimensional techniques presented by the modern water painting in language numenon not only do not make the basic characteristics of the watercolor painting lost, but also form the freehand style with Chinese art spirit in extracting form and purifying language, and this is the progress in modern Chinese watercolor paintings. But it can not be neglected that the deviation from the numenon language of the watercolor paintings appears in the process of its development. The author holds that the water color painting should be developed onthe premise of the pursuit of its numenon language.This paper, with the combination of the author's graduate works, starting with the analysis of the numenon language of the water color painting, its inheritance and development, as well as its pursuit, deeply analyses the importance of insisting on the numenon language in the article creation of the water color landscape paintings, thus gives more clear identification of the correct direction of the creation of the water color painting, which can create works with special styles.