On The Development And Inheritance Of Traditional Colors In Landscape Painting

Probe into the origin of Chinese traditional color culture;introduce the five elements and five colors,which are especially important in Chinese traditional color culture,and dark black,which occupies an important position in landscape painting.It is pointed out that black and white belongs to five colors,which is a very important color in the traditional Chinese color concept.Dark black is not only black and white,but also contains more of the spirit of " Xuan".If not defined by color,these objects such as“Red bamboo ",“Ink orchid",” red mountain "," green landscape " have a symbolic color and contain “mysterious spirit".In landscape painting,the dark black of ink and wash not only looks like the sky,but also contains the charm of the whole painting.It is the unique feature of landscape painting and is also formed by the Chinese traditional color culture with cultural significance.The second part of the article combed the development process and main representative works of the traditional color of landscape painting from Sui and Tang dynasties to Qing dynasty,intuitively showing the characteristics of his works,which triggered the viewer's thinking on the development of the traditional color culture of landscape painting.The change of form from Jinbi landscape to Qianjiang landscape is one of the steps taken by literati and painters to explore the spiritual world.The pen and ink that tends to be simplified continuously has changed from the real representation of the object image to the self-processing painting that embodies the spirit.Until the appearance of boneless landscape form,it shows a state of splashing ink and can change ink into color.What remains the same is that it has already left the shape of the object image and more is the establishment of the spiritual world of itself.Through studying the historical development process of the traditional colors of ancient landscape painting,we can find that everything in painting cannot escape the natural development law of everything,from material to spirit.After copying and learning,I will give up all my attachment to techniques and forms.Instead of defining landscape painting with simple concepts such as color and colorless,I will use the ink that I think is most suitable to leave traces of my understanding of the world and share my inner spiritual world with the viewer.I think this is the important cultural significance of inheriting the traditional colors of landscape painting.