Miya, Thinking Without Fear

Guo Feng in the Book of Songs is the regional literature generated in different kingdoms in the Zhou dynasty. Either the region where it is generated or the content that it shows both represent the unique regional culture. It has not only the common characteristics of the poetry in the Zhou dynasty but also a strong color of the regional culture, so the research into it from many points of view is a relatively new area. This article try to take Wang Feng as the research object, mainly concentrating on the cause of it, interpreting the connotation of the works and clarifying characteristics reflected in literature so as to obtain a more accurate grasp of the Wang Feng character. The thesis is mainly divided into five sections.PartⅠis the introduction, mainly introducing the present circumstances about the research, the significance of the research and the innovation of the article.PartⅡis about the ancient and modern scholars' interpretation of Wang Feng, including the interpretation of and the generalization about the purports of ten poems in Wang Feng one by one.PartⅢ, from the perspective of society, mainly introduces the social background of its forming and how to get the name, which is the basis and starting point of the research.PartⅣ, from the cultural perspective, generalizes the regional characteristics in literature of Wang Feng mainly through the impact of Heluo culture and the music of the Zhou dynasty on Wang Feng.PartⅤ, from the perspective of literature, scans Wang Feng, mainly choosing the three images of millet, dusk and picking to research on.