Repertoire Analysis Of Contemporary Chinese Classical Dance And Explore

"Chinese classical dance"referred here is a specified dance species, which showed itself in the 50's of 20th century, Therefore, we add"contemporary"ahead of it. It was founded as a new dance plant on the basis of Chinese historical culture, while extracting from Chinese traditional dances typically esthetical principles of dance, undergoing development and creation by modern people, combining contemporary technological and esthetical characteristics and absorbing many kinds of cultural elements. It marks creativities of contemporary Chinese dance workers and shows their searching for new interpretation for traditions.Up to now, Chinese classical dance has been greatly developed with many masterpieces showing up. Numerous brilliant classical dance directors marked themselves with many excellent works. It is not accidental for the success of these works. As early as in the 50's, the initiators of"Chinese classical dance"had already started to search and inquire clews for Chinese classical dance which should, from the connotation to the extension, all truly conforms to main body concept of dance art."Body rhyme"has provided rich action vocabularies for the Chinese classical dance plays and its appearance eventually leaded to great development of Chinese classical dance plays. With body rhyme's gradual consummation, four kinds of different types of classical dance plays appear, which have gradually broadened the classical dance's development space and caused the classical dance to mark it in the dance history.This master paper takes the Chinese classical dance plays as the research object, takes time as the axis, carries on longitudinal analysis with the crosswise comparison researches to explore it thoroughly. It tries to disclose law of development of"Chinese classical dance"and the substantive significance of its existence state through analysis of its historical development and demonstration and analysis of its contemporary achievements. The full text altogether has three chapters.First chapter, elaborates the development of Chinese classical dance in the 50's and 60's. With the beginning of talking about the earliest Chinese classical dance plays, it elaborates the influence of drama, ballet, folk dance and so on on Chinese classical dance and analyzes its accomplishment and shortcomings. Second chapter, takes the period from the end of 70's to the beginning of the 80's as the stage spot, specifies the impact of the appearance of"body rhyme"on the classical dance plays and the state of narrative classical dance plays of this period. Third chapter, takes the main body, modern, antique classical dance plays as the objective points, makes a detailed analysis and inquisitions on the development of Chinese classical dance from the end of the 80's until now, gives more thoughts on the development of Chinese classical dance of this period, confirms its achievement, discusses its insufficiency and explores its future development trend.