Zhen Poetic Thoughts,

YuanZhen's poetics thoughts elaborate in his articles, or in the preface of his works, or in his poems, which are very important in Tang dynasty and the poetics criticism history. There were some researches which obtained abundant conclusions, but they had some limitations in the method and content, mainly in the following two aspects: First, the research put BaiJuyi and YuanZhen together to discuss, YuanZhen is always subordinate of BaiJuyi. Second, the studies were not so elaborated, which mainly focused on realistic poetic thoughts in YuanZhen's poetic critic, other aspects were paid little attention to or not concerned. Based on it, this article takes YuanZhen as a independent unit to study, which contains the theory of Yin Zhi sense objects, the verse theory and the pursuit of poet aesthetic.The first chapter "YuanZhen's theory of Yin Zhi sense objects" mainly discusses the reason, the function and the thought foundation of writing poetry. It was reflected by two aspects: Firstly, YuanZhen recognized the relationship between the poet's official career and poem writing , he also pointed out the relationship between poet's time, energy and the practice of writing poetry. He advocated the poem should have "xing", which had sustenance and meaning to xing satirical.Secondly, YuanZhen recognized landscape and his daily life can touch off poetry think, he also pointed out the relationship between landscape and good poem.He advocated the poem should have "xing", which could repose poet's self-emotion.The second chapter "YuanZhen's verse theory" analyses some of YuanZhen's overview of "Ti" and reflects his ideas of verse. It contained two aspects: Firstly, YuanZhen paid attention to the verse class in static state, especially classified the poem based on the difference of the relationship between the poem and music. Secondly, YuanZhen paid attention to the developments of verse, he protested to use "Fu" skills in long Regulated Verse, which made the different kind of poet complementary and enhanced the development in narrative theory of poem.The third chapter "YuanZhen's pursuit of poem aesthetic" is reflected by two aspects:Firstly, he pursued popular understand, natural and elaborate language; he put flirting into the poems, which wanted to make it winding in ambit. Secondly, he prefers rules and forms of classical poem in neatly as well as vigorous and "Fenggu" in long Regulated Verse.