Antonin Dvorak was representative of the national music in Czechoslovakia, and his works cover a large amount of areas with many fruits。In all the nine symphonies he composed, "Symphony No.9,in e minor " is the works of Dvorak in the period of United States, and it plays a vital role in Dvorak's symphony music composing。This paper Dvorak "Symphony No.9,in e minor ", for exampl,from the micro perspective in mind for the overall analyze,from the music theme-motive point of view,the use of conventional methods of the entire music overall structure of the horizontal,vertical,as well as vertical and horizontal integration cross-cutting analysis。The paper is divided into three sections,the first chapter of the composer,creating background and music form structure of Symphony No.9,in e minor; the second chapter sorts out and summarizes the theme-motive theory, and the central theme of the material analysis; The third chapter is the core of this paper o Analysis and interpretation how coherent development of the theme-motive reflected in this throughout the work o In the end, summarized by this article is written to the conclusion reached to prove that this work theme-motive entire argument. |