Turn To The Aesthetic Taste And History

Wei and Jin Dynasty period, Chinese political was confusion, cultural environment is complicated. The academic since very big variety, Confucianism on the decline, the old Chuang theory was widely accepted, the metaphysics occupied a governance position. At this time this atmosphere called the Qing tan zhi feng. Scholar bureaucrats around the speech and idea, image launched the study of abstract academic theories. From person article development since then of the esthetics inquire into also immediately rising and then talk about at comments on figure and painting as well as book. The Wei Jin period accumulated to inclining the criticize language, which meant the nature of character turns, then this kind of vogue took place to convert during the period of South and North Dynasty. With scholar bureaucrats for the representative's elite stratum started aware of self the ground converting direction the accumulated classical rule to nature of personify and launched to criticize matters. In painting of calligraphy tell about from the Qi and Liang period, and was a circumambience of Er Wang (Wang Xi Zhi and Wang Xian Zhi), which formed the Wang's standard of calligraphy as well as culture views, such as a criticize tradition, fusion of Confucianism and Taoism inspirits, the benefit all people in the world. Along with Confucianism civility culture at Qi and Liang period gradual instauration, the function of art, which became the culture, helped ethical relation, could be imperial house's value. Tang Taizong Emperior believed in the standard of Da Wang's calligraphy to play to an orthodox tradition for calligraphy. The civil service examination requested Kai Fa Qiu Zheng and Jie De Zheng Xiang, which formed beginning period Tang's calligraphy unrest, but under powerful emperor right pushed, made the calligraphy became the feudal ethical code and the legal system under the art. From Wei and Jin Dynasty, the Regular Script chirography turned into gradual stability, and in this period the push function had by some important calligraphists, for example, Ou yangxun, Yu shinan, etc., from here Tang's calligraphy fashion formed.Each norm can be given a lot of different meanings; sometimes a norm probably forms an idea of mode of thinking and a conception of understanding thing. This text hopes to ask for help of language behavior, the investigation methods such as historiography and sociology etc. It can get into a calligraphy history inside pit and carry on meaningfully thinking and discuss on a study to the formation of the calligraphy still method style in Tang Dynasty, and hope to get beneficial enlightenment from it, from in the comprehension the calligraphy turn into a track a little bit moving intravenous drops.