The Creation Research Of Liang Zongdai’s Old Style Poetry

Liang Zongdai(1903-1986),a native of Baise,Guangxi Province,was a rare literary theorist,critic,translator and poet in the history of Chinese new literature.As one of the forerunners of the Chinese New Poetry Movement,Liang Zongdai,through his translation and research,for the first time made the understanding of symbolism in Chinese poetry reach almost the same level as that in France.Perhaps because of his outstanding achievements in theory,Liang Zongdai’s identity as a poet,especially a poet of the old style,is often ignored by the academic circle,and his representative work "The Wind of the Reed Flute" has not received corresponding attention and attention.The purpose of this paper is to explore the writing theory of Liang Zongdai’s old style poetry,is an object with the reed wind,combined with background of Liang Zongdai’s own poetics,read through internal and external research of combining the research train of thought,motive of creation of Liang Zongdai old American value,aesthetic characteristics,poetry and art origin system combing and summary,in order to show a more comprehensive stereo Liang Zongdai.This paper consists of three parts:introduction,four chapters and conclusion.The introduction part mainly introduces the research status and value of Liang Zongdai’s old style words represented by "The wind of the Reed Flute".This paper summarizes Liang Zongdai’s literary achievements,summarizes the evaluation and research system of his old style words,and then determines the research direction and value of Liang Zongdai’s old style words.Chapter one focus on Liang Zongdai’s creative psychology and motivation of the old style words.This chapter,starting from Liang Zongdai’s emotional needs and his poetics,explores the motivation of the poet’s transformation from new poetry to old poetry.Among them,"emotional demand" is the need to express one’s own sadness and joy in the process of love with Gan Shaosu.The poetic claims include two aspects:one is the theoretical goal of "blending nature with rigor";the other is the poetic ideal of integrating life pulse into ci poems.Chapter two focus on the motif of love and life consciousness of Liang Zongdai’s old style words.This chapter starts from Liang Zongdai’s inner "feelings",classifies the love words in "The Wind of the Reeds",and focuses on exploring the life consciousness behind the love words.Liang Zongdai’s "reed flute wind" can be divided into four categories:eloquent lyrics,mourning poems,complaining poems and "footrhyme" poems.Words of love or for the promise of love,or for the language of lovesickness;Obituaries are reminiscences of lost love;The plaintive words mostly express the resistance to the realistic criticism and the sorrow for the twists and turns of love.The word "gait rhyme"is the rhyme of the predecessors to show the inner life consciousness.Chapter three is about on the Liang Zongdai’s poetic theory in the presentation of the old style words.This chapter starts from Liang Zongdai’s poetics theory to discuss the modern poetics characteristics contained in "The Wind of the Reed Flute ".The first section analyzes the symbolism poetry aesthetics contained in " The Wind of the Reed Flute " from the fusion of "Xing" and "Symbol".The second section starts from the theory of "pure poetry" and explores the detached beauty in the form and implication of"The Wind of the Reeds".The third section extends the perspective to Liang Zongdai’s theoretical pursuit of "truth" in order to explore the unique poetic significance and aesthetic value of "reed difeng".Chapter four is about on The artistic origin of Liang Zongdai’s old style poetry.This chapter discusses the poetic origin and artistic value of Liang Zongdai’s old-style ci creation from three perspectives:Chinese and Western,old and new,and cross-style.The first section starts from Liang Zongdai’s inherent western poetics background,analyzes the color of the western poetry in Liang Zongdai’s old style,and explores another possibility of the creation of the old style poetry.The second section starts with Liang Zongdai’s own classical literary accomplishment and analyzes the classical origin of"Wind of the Reeds".The third section extends the perspective to Liang Zongdai’s identity as a poet of new poetry,and explores the improvement consciousness contained in Liang Zongdai’s creation of old style words from the perspective of the mutual penetration of new and old poetry styles.