Munch Works On Both Sides Of The Image Of Women Of Law

B By art historians as "end of the century" artists Munch, the heart of the anxiety, the fear of disease and death, all the performance of female subjects in their works, which opened up the spirit of the writing style of the main road. Munch all the spirit of his ideas in the painting show-on the survival anxiety, the fear of disease and death, fascination and desire for love, on with the Vamp and the dual personality of the woman saint confusion, jealousy of the people psychological examination and hatred, which makes his art with an inner desire and the reality of the original pain arising intertwined crazy, like a long time to suppress a sudden eruption of human nature, lava poured forth, whom the soul of the viewer shocked. Munch art expressive of the spirit of temperament, good speculation, good abstract, but also inherited the art of medieval symbolism since the Nordic character of heavy, heavy introspection, emotional weight, heavy subjective performance characteristics; in the pursuit of shape distortions and deformation of the United States and the subjective use of color is extremely strong, this emphasis on individual subjective experience of inner psychological; the content inside and outside his body and mind with emphasis on the ugly, despicable desire to fight the visualization performance is by means of visual arts the true state of the human mind to expose. These efforts he and his pursuit of the unique artistic language, by a new generation of artists generally welcome and respect. His art is not only the rise of German Expressionism had a direct impact, but also to show the world all the various modern schools of the human mind to enlightenment. In this sense, Munch is undoubtedly the pioneers of expressionism, soul characterize the master, is a worthy pioneer of modern painting."Woman" series is Munch's most expressive subject. As Munch special life experiences, resulting in his fear of women, so he has to escape this woman and sex as a weapon of fear, or seeking a sense of security. If the cause of disease and death is the root of fear of Munch, his mother and sister passed away this fear is the root cause. No maternal care, family support, has been accompanied by growing Munch death, this growth experience is horrible cold, which spell the same as the haunted young mind and form Munch strong psychological hint, precisely because the absence of such love and tenderness, Munch lived his entire life in the absence of a sense of security among. It is also because of the lack of such love and tenderness, adulthood Munch has been missing in women looking for love, he was so eager Huolie and sick woman's love, not only desire their love, but also eagerly their physical desire, it seems that only through them, selfishly enjoy their love and warm the body and can temporarily forget the cold and fear out of this world. These ultimately led to his views on women is more complicated, on the one hand he was infatuated, eager, tender hearts the beautiful woman was his "angel" image; on the other hand he was afraid, depressed, the woman as a "monster" incarnation. This article from the perspective of psychoanalysis women described their pen out of ideas embodied in such works, like a mirror light up the tragedy of the artist psychological depression, but also reflects the spirit of the European crisis, with the generation, also reflects the Nordic unique qualities of depression. Live in his era, no artist can do it to women as his subjects the Biaoxianshenru a human soul among the most essential, so ugly naked Di characterization of the human instinct made kind-hearted co-exist with Chou Wu, Rangmeiliyu ugly together show to the world.