Exploration Of The Tang And Song: Bowed Stringed Instrument

In this paper, Tang and Song Dynasties bowed stringed instrument in which the micro-shape and the macro development of cultural ecology as the research object, the section design is an introduction, conclusion and three chapters, however, from the content, it can be divided into two parts: the first part of (Chapters I and II), focusing on the Tang and Song Dynasties bowed stringed instrument of the micro-shape development discourse. Main content and perspectives: 1, bowed stringed instrument in the history of the Tang Dynasty before Textual sources. That: Chinese bowed stringed instrument should be in before the beginning of the Tang period, from the resonator point of view the history of bowed stringed instrument is a variety of sources, from the physical point of view that motivation is only one source of that "stick play" incentives law; 2, on the Tang and Song Dynasties rolling appears YaZheng, Xi Qin, and cauda equina-like bowed stringed instrument Erhu 3 the development of the micro aspects of Dynasty. That: The Tang Dynasty, bowed stringed instrument in the course of the completion of the birth, eventually forming the "II type and II shape " of bowed stringed instrument type; 3, the Song of the cauda equine bow Mawei erhu resonator, arch form and shape the discussion. That: Horsetail bow should be a "half-breed" their "genes" from China, materials from exotic. Mawei erhu resonator should be cylindrical. The second part (chapter III) focuses on the Tang and Song Dynasties bowed stringed instrument of cultural ecology in which the macroscopic examination. Tang and Song dynasty bowed stringed instrument in the use of flow distribution was compared to that bowed stringed instrument in the development from the Tang to Song Dynasty is a gradual process of prosperity, and finally bowed stringed instrument in the prosperity of the Song dynasty intrinsic motivation was explained.