Mongolian Traditional Stringed Instrument Of Chor

Chor is the Mongolian’s an old art essentially has a forward to the bowstring of thehistory representative of the musical instruments. As The Chor Music of the non-intangible cultural heritage in particular, and even more has a unique Style and Charm.With the continuous development of society, culture continue to impact thetraditional culture, such that culture now is diversification, diversification; thetraditional culture gradually been excavated and pay attention to it. Chor of atraditional stringed instrument is no exception, not only by more and more people topay attention, and it brings the music culture but also has a non-negligible value. Then,Chor is what kinds of musical instrument?The present with the past of development, what is the difference? What kind of roleit played in people’s lives? Development so far has not been widely heritagedevelopment, then, what are the factors of succession and development constraints?This paper’s research object is stringed instruments in Horqin–Chor. The authorhopes that through the Chor of research allowing more people from whole,understanding Chor, so that, its music and culture will be continue to spread. Thethesis subject research by the first, second, third chapter, the basis of the first chapter,in the second and third chapters around Chor this instrument is described in detail.The first chapter describes the definition of Chor and historical records, mainly on thedefinition of Chor and Chor’s scope of the term, further elaborated “Chor” specificmeaning of the words, and by the records in the literature antiques to sort out thehistorical development of the tide Seoul. The second chapter describes the Chor of theinstruments form and repertoire of the characteristics. Through field research, Iacquired detailed knowledge of the more common Chor’s sizes and collected itsplaying posture’s photograph and so on.The third chapter explores chor’s heritage since the main factors for Chor overviewof the development. On the basis of previous scholars’ research, the author summariesthe main inheritors(SeLasi et.) that what make the contribution and impact for Chor.The fourth chapter analyzes the bowstring Chor’s cultural value and its heritageconstraints. The author through Anthropology of Music’s point of view that exploresfrom Chor and Chor played music what position in people’s lives, and development ofChor Heritage factors was analyzed and discussed.