Tang And Its Elegance Poetry Rhythm Research

Tang Dynasty was peak of poetry srts development in China.But before the arrival of the high tide in the poetry arts,it had been through a development process.In this process,the Zhenguan Period in the early Tang Dynasty was an important stage. Emperor Taizong Li Shimin occupide an imporment position in the poetry of the early Tang Dynasty.At the same time, his close ministers represented by Yang Shidao, Shangguan Yi and Xu Jingzong were also important poets during the Zhenguan Period,who made impormant contributions to the poetry development in Tang Dynasty.The number of their poems is relatively more in the early Tang Dynasty:there were one handred and one poems writed by Li Shimin,twenty poems writed by Shangguan Yi,twenty poems writed by Yang Shidao and twenty nine poems writed by Xu Jingzong in Quan Tang Shi.In recent years,the research results about their poems are mainly about poetry art,but the research about portry rhythm is much less.The article focuses on the question on portry rhythm of the poems writed by Emperor Taizong and his close ministers represented by Yang Shidao, Shangguan Yi and Xu Jingzong,in order to find out the feature of the poems in the Zhenguan Period and their role in the process of verses development.The structure of this article is as follows:The introduction is mainly about the number of the poems writed by Emperor Taizong and his close minister(sYang Shidao,Shangguan Yi and Xu Jingzong),related research and the value of the article.In the first chapter,we will briefly introduce the poetry profiles of Emperor Taizong and his close ministers,and their influence and status in the poetry of the early Tang Dynasty. It followed the general trend of poetry development and played a role in promoting the formation of Modern Style that they paid attention to sound law and antithesis.The second chapter is the main part of the article.In this part,we will detailedly analysize Tonal pattern, antithesis and acoustic disease in their poems,in order to be sure that whether their poems were relatively mature modern style.The conclusion is that the number of modern style in their poems is smaller,but most of their poems had prosody sentences and antithesis.The third chapter is the second focus. In this part,we will detailedly analysize poetye rhythm of their poems. We will summarize the Basic Features of poetye rhythm in their poems.The conclusion is about their contributions to the poetry development.We will also make statistics about sound condition in the form of table.