Aesthetic Trends Of Thought In The 20th Century, 80 Years On The Impact Of Modernist Art

When various forms of Western modernism and philosophy thinking rushed into China by different means, the Chinese political sense was restraining people's thoughts and behaviors.Because of the special relationship between the aesthetics and philosophy and the particular surroundings, the scholars and artists who has humanly spirit resorted to ascetics to express their sense of free thinking and criticizing. On one hand, the young artists absorbed the lucrative styles and languages to form their own textures and designs, such as the Impressionism,Expressionism, Cubiasm and Surrealism. All the schools, even form the Abstract Expression, Faucism, Dada, to Pop art are included. On the other hand,in order to enrich the theory, these artists used the western modern aesthetic thinking, some books emphysizing on the intuition and vibrant sense such as Hegel's Spirit of time, Nietzsche 's absolute will, Henri Bergson's irrational intuition as well as the books of about dreams and subconscious,l ike the Martin Heidegger's existense,Sigmund Freud's theory of subconsciousness. t he Rusell's and Ludwig Wittgenstein's philosophy books were also included. Simultaneously, one can find the proper interaction of culturalholic and aesthetics holic. Wu guanzhong's critic upon raised exciting discussion about content and form of art. Star Art Exhibition of civilian organization manifested the deleption and reverse towards Duililun binary and elite culture.Extensifying of research on aesthetics reacted to morden painting.At that time,t he phenomenon that they affected each other, which could be found in manifesto of modern art group but also reflected in the paintings themselves, lead to the so called "art as well as half philosipher"This article consists of four parts. The first part lies in the reason for choosing the topic,which explains the sense and contemporary research condition in and out of our country. The second part associates with the discussion about evolvation of the relationship. The third part, briefly, analyzes the three significant of modern China. The Last part reflects the interaction of trend of aesthetics and Chinese modern art.