Research On Collective Management Of Copyright In Music Works Under Digital Environment

The development of Internet technology has led to the change of occurrence of the works presented in the form of digital music, diversification of cocommunication, and much more efficient communication. Music has brokethrough the limination of buying and selling CDs、tapes, live performances, radio, television broadcasting and has already achieve timeless and non-directional transmission. Nearly in the two decades, digital music has achieved rapid development and has replaced the traditional music who spread in a low efficiency and cost much high.Digital music has become the core of music industry and began to challenge traditional copyright law who can hardly enough to solve the issues causing by digital music. The malfunction of the traditional copyright law led to new problems like obligee torted and economic loss. Music creation enthusiasm has been reduced, and he music industry has been declining for long.The establishment of China’s copyright collective management system is in 1992.China Music Copyright Association made the efforts to resolve the conflict of interest between the old and new industry body. Due to lack of experience, in China’s cultural industry management environment, frequent problems of copyright collective management system usually appears,such as a strong political color, closed management information, unequal, supervising organizations ineffective, lack of controversy settlement mechanism. In this regard, we should fully study and use the experience of other countries for reference, and listen to industry insiders suggestions, combined with the status quo of China’s cultural industry development. Changing and improving the environment of digital music copyright collective management system for the right, to protect the rights of the legitimate rights,and to promote the cultural market to develop in a healthy way.