Cinematic Architecture

For a long time, the traditional architecture has been building the image of the feature will be reduced to two-dimensional planar images, architectural design always stay in the plane mapping of the level, not only as a visual communication ignore the importance and complexity of information carrier, more leads to a sense of narrative construction, loss of sense of place. With the emergence and development of media images, especially the emergence of film art. the traditional way of seeing was completely changed, all the conceptual basis of the architecture have also been unprecedented influence and impact, people need to be an " Image Creation " of the mind way to explore the construction of the nature of the problem.In theory, image information space with the exhaustion of all diegesis possible, because it can be arranged on the space structure and editing, people can experience space in any space-time plot and build the "surreal" the imagination to create a "real sense of presence";and highly transparent and replicable model of mass communication, through constant reflection and change the occurrence of the "lens model", also makes the image information rich personal experience and multi-information, "Cinematic Architecture " Since then the concept has generated.Pass test article Pascal Schoning in the "Declaration on the building of a film" made "film construction" theory as a starting point, to combine theory and practice in recent years of building a comparative analysis between the distance from the space-time presence, "surreal" material substance of human digestion process and the perception and psychological impact of three levels of experience, trying to understand as an architectural concept of the "Film Architecture" the main issues, concepts and ways of expression, the composition of and then explore the deep " Cinematic Architecture " and the existence of universal significance.