Impressionistic Paintings Of Traditional Calligraphy And Relationship

Traditional Chinese calligraphy and freehand brushing are using pen and ink to express connotation and concept. Without pen and ink, the art works will lose their original glamour. This article is intending to probe into inner links between pen and ink, on the aspects of sentiment interest, techniques, aesthetic appreciation requirement and etc. At the same time, traditional calligraphy is a method of line art to express author's intent and sentiment. So we need to comprehend factors of aesthetics within calligraphy, gradually introduce it into painting. It will enrich freehand brushing in both expressive force and aesthetics factors.All in all, art will forever be a result of modern emotion and experience. So the process of art development and reconstruction will carry on the pace and never be interrupted. That is the reason for modern freehand brushing to developed, inherited and reformed based on respect of Chinese painting. In order to use traditional method of pen and ink in modern art, we also need to reconstruct language and restructure methods of traditional Chinese painting. So we can take advantage of modern thinking and spiritual concept to achieve utmost unification of form and content in Chinese freehand brushing.This article intends to grasp source of fusion between calligraphy and painting, comprehend freehand brushing through the aesthetics of calligraphy as well as enhancing calligraphy creation. Predicted creative result will be as following:Grasping syncretic of painting and writing, looking forward to understand application of calligraphy methods within freehand brushing, at the same time introducing composition of aesthetic appreciation within freehand brushing into calligraphy; Utilizing systematology of Marxist philosophy principle to research creation of calligraphy and freehand brushing. Accomplishment of this article will definitely enrich this field both theoretically and practically.