A Brief Research On Stone Painting Carving Techniques Of Han Dynasty In Su, Lu, Yu, Wan Area

As one of important part in Han stone researching, the carving techniques of Han stone painting sculpture, carving techniques began to attract scholar attention at the beginning of 20 century. The reason cause different style in Han stone painting sculpture would be a complex problem. But the carving techniques had been decided a style of art directly. Yu, Lu, Su, Wan four province is the birthplace of Han painting stone sculpture technology, also be the most comprehensive and the most concentrated area of carving techniques type.This paper on the basis of previous studies, combined with a large number of archaeological reports and images of the data about main origin of Han investigates stone, comprehensive use of archaeological typology, cultural factor analysis and art archaeology relevant knowledge, trying to descript a total features of four provinces of Yu, Lu, Su, Wan stone carving techniques of Han dynasty. And then this paper discussed the regional characteristics of the Han painted stone sculpture, the relationship between early mural tombs and Han painted stone sculpture in Han dynasty. Also, the author researched the influence on later generation's sculpture.This article is divided into four parts including introduction, carving techniques typology study, carving techniques regional characteristics and the related issues research. Through analyzing the research status of carving techniques, this paper review and summarize the classification standards that should grasp the macro and micro principle. Base on art expression form of stone carving techniques, this paper divided the carving techniques into two categories:the line carving and the anaglyph carving. Allow for this principle, the author had distinguished Yu, Lu, Su, Wan four provinces Han stone sculpture into three center area. And thinking Han stone carving techniques spread followed these three regions as the center to neighboring radiation transmission. Meanwhile the three regional Han stone carving style also existing mutual influence. With rating early Han stone sculpture tomb and painted tomb, this paper revealed the relationship between the early two different tombs through comparing the mural tomb and stone sculpture tomb. And then, coexisting relations, image layout and the similarities and differences of themes become clearly. Therefore, the author could think that the early Han stone tomb with murals, there are certain relevance between tombs.