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The Female Folk Songs Of The Qing Dynasty And China Before Qi Qiao Song Comparative Study

Posted on:2012-12-17Degree:MasterType:Thesis
Country:ChinaCandidate:F M LiFull Text:PDF
GTID:2215330341450886Subject:Ancient Chinese literature
Abstract/Summary:PDF Full Text Request
Folk folk in past dynasties in qing dynasty based on further development, documented involves the regional more widely, various KeBen, codex folk set is countless. This survived folk set for thirty kinds of qing dynasty. In this more than 30 kinds of folk song concentration, reflect female love marriage, life content of the women folk song accounting for a large proportion. Because still does not have a complete set of qing dynasty, and women folk songs of qing dynasty was folk research few women involved. Even if involve, also just put it as part of the qing dynasty, folk only for simple introduction and evaluation. So I think, in the qing dynasty the content, women folk song lyric heroes, art value and great research space.Traditional festivals -- the Tanabata festival activities held the Gregorian calendar sung songs, because Gregorian calendar joined before 1940s the main members are Gregorian calendar unmarried women, reflect female marriage, the content of life in which the voices of women represented at that time. The Gregorian calendar male participation written lyrics, also make reflects that the content of the Gregorian calendar events become part of a song. As a seasonal song, reflect the Gregorian calendar quarter ceremony has become an indispensable contents of the content of the Gregorian calendar song. The qing dynasty and republic of folk songs and women before the background of songs in the Gregorian calendar, content, lyric heroes, art value aspects to have the similarities and differences, based on the text analysis, philology comparison and study them.This paper is composed by five chapters composition. The first chapter presents women folk songs and people in qing dynasty before the relevant literature and Gregorian calendar song of the background. The second chapter from the content, the form factor and the tune features three aspects: women folk songs and people in qing dynasty before the Gregorian calendar song works similarities and differences. Contents, mainly from marriage, career and life interest, the product discusses four aspects of the historical legend; Form factor, mainly from the sentence stylized and words in two aspects to discuss individual; Tune characteristics, the main types and features from two aspects of melody to discuss. The third chapter of the image from lyric heroes with style of two aspects to discuss both the similarities and differences in the lyric heroes. Lyric heroes image comparison, main show is male, female the similarities and differences of lyric heroes; Style of comparison, mainly reflects in monologue and dialogue similarities and differences. The fourth chapter aesthetic characteristics and expressional gimmick from two aspects in comparison of the artistic value. Comparison of aesthetic characteristics, main show is conceived, emotion, image and the similarities and differences of language; Comparison of technique of expression, main show is fu, the similarities and differences of metaphor tactics. The fifth chapter of social function and social value from two aspects to discuss Gregorian calendar of qing dynasty before song people folk inheritance; women From the thought and expressional gimmick aspects of qing dynasty before people Gregorian calendar folk songs women innovation.
Keywords/Search Tags:folk song, The qing dynasty women folk songs, Gregorian calendar song, People Gregorian calendar song before, comparison
PDF Full Text Request
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