An Analysis On The Poetic Way Of Speaking In ZongBaihua' Yijing

Thoses academic essays collected in work of Yijing possess the characteristics of literary prose.They not noly inherited the critical way of speaking which was widely applied in the ancient Chinese literature,but also absorbed the romanticism which existed in the western modern history.The author,in a way of impressionist and gnosis,display the artistic philosophy in flowery language and instruct the readers to mediate deeply.The paper tries to analyze the features of artistic concept in the linguistics aspects ,probe into its language style, in the hope that it will be helpful for the development of Chinese modern literature.The first paper focus on the text of artistic concept and give analysis to its language.From the relevant theory of Modern philosopher Cassier and of Duffrenne ,it can be concluded that the linguistic system of artistic concept include three aspects: sub-language language and superphiology. Mr Zong Bai Hua often presents the artistic feelings beyond description ,emotional description of artistic criticism full of rich emotions and diversified rhythms, with sub-language. Language is part of specific reasoning ,manifesting itself in brief comments, especially on understanding and presentations of oriental and occidental aesthetic theory.Superphiology means gnosis in a peaceful mind,which represents the highest level of the language and can only sense but can not explain in words.Mr Zong always leads the readers to enjoy in the highest mental level, which purify and elevate minds in aesthetic appreciation.The second part analyzed the factors contributing to the language style.In our modern atheistic literature, this kind of language style is rare,which is flexible as well as deep-going.The reason can be attributed to the fact that the author focus on the classic art such as poems,books,music and dances coupled with the artistic concept and flavor in them. Mr Zong calls"artistic concept"as"mental conept",which is in the upper level of language.Flavor is easy to sense but hard to explain in words,in the lower limit of the language.As a result,both of them can transcend the language and can only be expressed in poetry language.It would seem to Mr Zong that Chinese art put a high emphaisis on the expression of life's leap,that is,under the certain circumstances,people's space sense is injected with music and rhyme as time goes on.The core of Chinese art is music and dance,whose expression have to rely on poems.In addition,Mr Zong Bai Hua is a poet and philosopher,which brings the gnosis and poetry flavor to the text.The third part is to describe the model implications of the poetry language in artistic concept.This kind of expression is not only vibrant,which requires conscientious study and drawing on by those schoars.First of all,hit by western culture,we are confronted the challenge of losing vitality in our own language.We have to inherit and carry forward the excellent heritage of traditional culture, which can be exemplified by the poetry language by Mr Zong.Besides, as western atheistic works excel in logics reasoning while our ancestors are good at gnosis in poem, our advantages can compliment each other. Atheistic and artistic act ivies can by no means decided by propositional language and poetry language boasts the reason to be long-existent. Last but not the least, to inherit and carry forward poetry language is crucial to glorify Chinese culture, which not only serves as the contributions to the development of human literature,but can also build up poetry residence for modern people ,helpful to the build up the spiritual homeland.Artistic concept attracts many scholars with its poetry atmosphere and enchanting flavor, as it not only explicitly gives insight into artistic spirit ,but represents artistic spirit itself.