Talk Over Adaptation Of Movies From The Aspect Of Intertextuality

Film adaptations of literary works is a platitude of an old scholar, as the adaptation becoming hotter, literature and film related topics become the object of heated debate. But for the study of the relationship between the two, we are still difficult to jump out of the past mindset mostly concentrated on the"faithful or not", this angle cutting into the literary and film set is subconsciously full of meaning attached to the relationship between literature and film seriously neglected as a different art form of independent personality. The theory of intertextuality seems to be able to adapt to provide an excellent entry point issues, intertextuality theory is the contemporary Western post-modern literature under the influence of the birth of an important theory in the film adaptation of literary works, it provides intervention from the study of historical and cultural perspective.Because the film adaptation of literary works, research and intertextual relationship of theory are rare, this one has to do with the challenges of innovation means that the attempt. This topic involves a large number of literary works and film works. Considering the feasibility study and demonstration of the reasonableness and credibility, I selected the film adaptation of literary works of Chinese movie directors of the Fifth Generation. In terms of the development of Chinese film, they played an important role in the film, and accomplished significant achievements. With combing the development of the simple adaptation concept and exploring the process of blocking and bracing, you will find them in the adaptation of work, history account cultural backgrounds and infiltration will be reflected in a particular object, an anti-conventional narrative, the hero of an action or decision, and so subtle changes. Being supported by deep cultural connotation of literary works, film adaptations transform the cultural codes into more direct and visualized image, and expand the intertextuality of literature while in the proof of"text is a productive force". With the development of science and technology and change of people's aesthetic habits, literature and film will be more and more dense intertextual.