Study Of Literary Thought In The Japanese-occupied Areas

Chinese modern and contemporary literature go through nearly a hundred years, the result of research is the color scene, and almost closed to saturation, but in this young field there still exists the place only scratch the surface just as literary thoughts in the Japanese-occupied areas.The 1930s and 1940s, a variety of cruel reality such as invaded Chinese territory, controlled people's thought and limited life made people living in aquatic suffering. Even so, in 1945 after the Japanese surrendered and many years after China was liberated in 1949, literature in the occupied areas is always avoided by issue compare with thorough research of literature in reformation and liberated areas. At present, the research achievements of literature in the Japanese-occupied areas have produced, but literary thought in the enemy-occupied areas is almost deserted. In order to make up for the defect of Chinese modern literature and make literary thought in the Japanese-occupied areas deeply discussed, this venter will drill down on the text for it. Through understanding mannagemant of literary thought in the Japanese-occupied areas and state of mind about writers and critics at that time, and combining with the preamble in Shihui Feng' monograph "comments volume of big literary department of Chinese irredenta" and the related papers reveal their real inner ideas, thus literary thought in the Japanese-occupied areas is unfolded objectively and positively. In this paper, my dialectical thinking is joined on the basis of the text. Finally, historical research methods are used to a whole and meticulous study about literary thought in the Japanese-occupied areas in order to make profound analysis about literary thought in the Japanese-occupied areas and perfect the research of literary circles on literary thought in the Japanese-occupied areas.This paper is bounded three main parts. The first chapter mainly summarizes the more important literary debates happened in the occupied areas that details respectively by the northeast, the north and the middle subjugated area in China, which is the groundwork for discussed behind two chapters. In the basis of the debate Chapter 2 has put forward literary thoughts in the Japanese-occupied areas:Renaissance literature, Mass literature and National consciousness. Renaissance literature is primarily a way that writers get back to literary orbit after the pain in the war, and this paper reveals thinking of rebuilding literary world how to search out in the reflection by analyzing literary debates about it; Mass literature is a phenomenon produced necessarily in the era of advocaly, so this part focuses on how writers think in the Japanese-occupied areas when mass literature moves into a new stage; National consciousness analyzes its concept in order to make its connotation clear at first, then discusses the potential national consciousness reflected by literary ideas in the Japanese-occupied areas. In this text the third chapter mainly interprets literary thoughts in the Japanese-occupied areas in the present age through analyzing developmental context of literary history in four aspects:"native literature", "popular literature", "human literature" and "pornography", which further makes literary thoughts of the significance at that time and a special position in the developmental history of Chinese modern and contemporary literature in the Japanese-occupied areas classified and reset, thereby it highlights the unique value of literary thoughts in the Japanese-occupied areas.Under the background of the war revolt against the Japanese literary thoughts in the Japanese-occupied areas should not be overlooked in the history of Chinese modern literature. It shows bitter struggles and fights of writers and critics who live in the rule of different nation, and shows their unrivalled reason to choose. The Japanese invaders try to use "peace" assimilate them, but they seek out of development direction of ethnic literature. This left the effulgent page in the history.