On The Traditional Chinese Painting From The Derived Material And Experimental Ink And Wash Painting

As part of the traditional Chinese culture, Chinese painting from ancient times to the present, constantly sum up experience of predecessors, the creation of new cultural values. Chinese painting, was a great show of the Chinese people. From ancient times to the present, people in this way show their hearts, the mood of the era and the spirit of the nation. As early as 1600 years ago, the Eastern Jin dynasty Gu kaizhi has proposed "to show the spirit" "moved unexpected acquisition" of art theory, Sheikh in the southern dynasty in the inheritance and development on the basis of this theory then presented in the ancient paintings were recorded in the famous "six methods of theory", and laid the theoretical foundation of Chinese painting history. After Tang and Song dynasties, gradually began to open up new areas of Chinese painting, Chinese ink as another drawing techniques of Chinese painting reached the stage of history. Traditional culture makes the ink ink-oriented inheritance of Chinese painting, everything comes down to ink color changes, when they appreciate the cultural inheritance of the ancient and modern, and learned from the ink changes all the colors, or even exceeds all colors of the color. From ancient times to the present, the art of sublimation and innovation in every age has also no exception, we now live in the information age, as in traditional Chinese painting, is also going through a big change. In 1996, the National Art Museum of China successfully hosted the State of contemporary Chinese ink painting exhibition, marking ink painting has entered a new stage. With the development of the times, painting materials more and more of the options available to artists, dawn of the information age and the popularity of the Internet, more colorful in the world around us, the information resource is filled with society as a whole. New material and media of produced, in must degree Shang stimulus has China painting of forward development, many yiqian wanted to is not dare wanted to of material was full of used to expression author of thought intent, maximum of play has its as media by show out of Visual impact, gypsum, and wood, and soil, and screen, and pulp, and LaTeX, relief and plane painting phase combination; abstract of performance life in the of things; irrelevant of objects of combination, symbol type of language, with new material new media of forms, Chinese painting can become wider performance range much wider. In recent years, the potential of China's rock art is rapid development, many artists absorption and development of rock painting art. Remix of Western painting materials. Remix as a new form of painting, in the materials and media, techniques and styles to the with a free span of road, completely self-display, shown on Chinese and Western culture of inclusion, becoming the art characteristic of an era. From a multicultural perspective to appreciate the art of today, we see more of is with modern breath work, while we appreciate and Hu Wei works, in addition to the breath-taking his talent selection of excellent, more amazing than his picture of diversified artistic means. In art teaching in colleges and universities in China, integrated arts teaching experimental Chinese ink in Chinese painting teaching plays a pioneer role, experimental Chinese ink and not just with combination of traditional Chinese culture and Western modern art an important point, is a teaching mode with Chinese characteristics, vital to the function of teaching system in colleges and universities. Chinese painting teaching has been followed traditional, stress pen and ink charm, shaped God both, stress hole Meng philosophy, doctrine, so in information and Western culture of effect Xia, we how to traditional ink and modern art creation close combination up, creation concept of update and creation practices of diversification, how will traditional concept in the ink of performance techniques go replaced new of language style and using to creation in the to, accurate of convey author of thought. With these questions, local Chinese painters begin intensive, and sought to work closely with the era combined with the art of the road. Experimental Chinese ink, full of symbolic signs, ink is used to express thoughts, just picture than traditional, full of surreal colors. In this case, ink and not simply to show visible and tangible things but closelyrelated to manifest an invisible symbolic images can not touch the ideal, an ideal spiritual homeland. Increase the expressiveness of the screen at the same time, increasing screen texture effects, you can highlight Visual sense. Experimental ink is from China ink in the out to, and oil painting, and prints, and sculpture, art style different, experimental ink essentially of selection still is China traditional of ink rice paper, reflected has experimental ink and China painting of inheritance relationship, it actually is from traditional of single style in the out to, has different of characteristics, this is, on decided experimental ink is towards diversified direction development of, this which also reflected with modern social of Humanities thought. Chinese materials and experimental Chinese ink painting, is a product of new times, we're now in a pluralistic society, many alien cultures on our influence cannot be ignored. Materials and experimental Chinese ink painting also eclectic, not missing out on traditional Chinese, at the same time absorb foreign cultures to be selective, and constantly strengthen itself.