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Chinese Painting To The Era Of Evolution Of The Traditional Bimo

Posted on:2013-03-25Degree:MasterType:Thesis
Country:ChinaCandidate:X S QinFull Text:PDF
GTID:2235330374953279Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
If we open the history of Chinese painting, landscape painting is at the center ofthe status of Chinese painting since the landscape painting came to the world. Itrepresented the spirit of the Chinese culture.It has been studied whether from painters,works or from theoretical research, Bimo has been created and studied at the mostplump complete. Ming Dynasty Tang Zhi qi said:"Paintings, but landscape paintingnoblest". Although this phrase radical means, but it reflects a high degree of recognitionof Chinese traditional landscape painting position. So here involved the evolution of theera of traditional Chinese ink painting, mainly dominated landscape, flowers and birdsand people temporarily slightly.This paper tries to decline from the origin and development of ancient Chinesepainting, prosperity, from the source of the philosophical spirit painting, Zen andpsychology, the changing times affect several aspects of analysis of the Evolutionprocess of traditional Chinese painting ink and brush (Maobi) on Chinese painting.Analysis to explore the various times the typical painter ink and brush style; calligraphy,Chinese painting affect the conduct described and analysis of the affect Chinesepainting characteristics of materials, ink paper, ink and other material aspects, materials,the decision in the form; and simple analysis of the modern and contemporary state ofdevelopment of Chinese painting in order to solve the problem-that is, the relationshipbetween Chinese ink landscape painting with the times requirement, and Bimoinnovation. Every age has different requirements on Bimo, the rapid development ofmodern society, information technology, globalization, Chinese ink landscape paintingis facing unprecedented challenges, all kinds of ideas emerging, contemporary artistsare making unremitting efforts, trying to inherit performance of traditional and new,Chinese landscape painting moves forward in the impact of the collision of Eastern andWestern cultures and various trends with continuous self-improvement. Bimo must meetthe era requirement actively and innovatively in line with contemporary China thepeople’s aesthetic needs and development of the world need.So we can make ourChina’s spirit of the world more rich perfect and make Chinese ancient art distribute anew charm. Let Chinese spirit influence the world so that excellent art to the art of the world Court Adds a new King.
Keywords/Search Tags:Traditional Chinese painting, Bi mo (Chinese ink and brush), Religion, Painting materials, Experimental water--ink
PDF Full Text Request
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