Study On The Narrative Of Abbas Kiarostami's Movie

Iranian director Abbas Kiarostami is outstanding in narrative style. One hand,he aggressively pursues the truth by using the long lens and fixed lens, so that his movies look like a documentary; On the other hand, he deliberately destroies the real creating by himself, so that his movies look like imaginary. The both way show strong spirit in the movie exploration. The narrative structure of "On the Road" is used in most of his movies. He expresses the reflection of life by telling simple events. The uncertain ending makes the audience involve in the creation of the movie too. His narrative language seems simple, but in fact very tension. The images is metaphorical, including the lens and color. The dialogue is poetic. The background music is not used but very necessary. All of them make a wide explained space. Abbas Kiarostami'movie narrative is from his life and soul. It is very personal.It is not only a wealth for movie theory, but very significant for the Chinese movieThe paper main cut from the narrative point The study is about four ways:the narrative attitude, the narrative structure, the narrative language and the value orientation of narrative strategies. The narrative and linguistic theories are used. The style of the narrative feature of the Abbas Kiarostami'movie can be summed up combined with the version and research data. The paper is trying to provide a useful reference in the narrative for the study on Abbas Kiarostami'movie.