From Of Weng Fanggang "running Script Axis" Dynasty Calligraphy Concept Of His Book Theory And Its Twilight Years Rubbings

Weng Fanggang, an important calligrapher, textual research, epigraphy and poets during the period of Qianlong and Jiaqing, have reputation in calligraphists'artwork, known as "one of four in the Qing dynasty." In calligraphy, he is against an increasingly smooth, waste and poor "Zhao Mengfu, Dong Qichang" calligraphy style. In the context of epigraphy in Tai Hing, combined with his research on the textual research of gold tablets, he put forward a Tang stele, seal character restoring ancient ways of spirit. In stone identification, Weng Shi works much more cautiously, Golden Tablet Edition collection of miles around to visit Weng. In the poetics, he opposed the sleek style of nothing and made a wonderful thoughtful "texture" said.In calligraphy, Weng Fanggang beginner Yan Zhenqing, then learning ouyangxun, Yu Shinan, Anal apprentice of the ritual monument, the Korean Royal stele, and other various Chinese Tablet, Running for the pope to Jin, especially Wang mish and Wang xianzhi.This article first with Weng's running as the main line, with his ideas and style characteristics as a reference book, his calligraphy style characteristics defined during the early, middle and late. Then to Shaanxi Normal University Library collection of the Weng Fanggang'axis as a reference, Will this book content claim, style and features of the book learning thought and Weng fanggang's other works, the contrast of textual research handed down from ancient times to better confirm the running axis "of authenticity.This period is about eighty years or so in old age.Weng Fanggang's book learning thoughts are abundant and many thoughts are running through his entire life, such as respected Tang tablet, the advocates of Wei and Jin dynasties, learning from ancient. His methods and creation of unique perspective is needed to understand and explore again for us. Extremely strict with his copy, advocates have the shape of a likeness after, must strictly follow the traditional method in the learning process, meticulous. Taking "meaning, rhyme" as the standard in creation, on the overall atmosphere and the ancients "likeness" for the best. Weng's rigorous academic attitude is the lack of modern calligraphy education, for instance, very few people advocated "examination of learning", even for lax requirements, rather than the shape. By studying Weng Fanggang's calligraphy thought,you can find Weng Fanggang's thoughts and calligraphy practice contradictions in his later years, the stele of the thought and practice of conflict, and the analysis on the causes of conflict. In addition, Weng Fanggang attention to the cultivation of knowledge, ancient statue, with a strong sense of historical responsibility,many deals to share.Weng Fanggang is meticulous, preference to collection research, liking traveling, description much more important:complex-Saito at the beginning of the collection, and the complex Zhai of poetry at the beginning, the Han dynasty stone in mind, and the Guangdong and stone, the Shek Chan poetry, and so forth. His monument to sprout, there have been no stele of science, calligraphy differs from a proposed North-South in the era of calligraphy, which play a huge inspiration and guiding role in later Run Yuan, Bao Shi-Chen and others proposed "monument in the North-South on the". His thought of Honored ancient Shang Po reverse clear medium-term of decaying and play an important role in the rise of the tablet. He combines research and calligraphy in order to better learn calligraphy, which powerfully to seal Magistrate tablet version textual research excavating at that time.In short, Weng Fanggang has a significant role in promoting in the fields of inheriting and carrying forward of the calligraphy in the middle of the Qing dynasty and the rise of the Tablet, and textual criticism of development.