Study On Epigraphy,Painting And Calligraphy Tiba Of Weng Fanggang

Never has a writer written so many Tiba essays and poems like Weng Fanggang.Never has a scholar's Tiba revealed more Academic than Weng Fanggang's.Not only his Tiba displays Epigraphy achievements,but also putting forward and practicing Jili Theory.Meanwhile,Weng Fanggang's Tiba is meaningful in literature history for its concentrated reflection on the inheritance and innovation of traditional Tiba style.The paper is divided into eight chapters.The first chapter is about the dual identity of Weng Fanggang as a official and scholar.Inevitably,there were some unification and conflicts in his career and academic.Weng Fanggang addicted to learning and study,especially in Epigraphy,Painting and Calligraphy Art.He has earned more praise and more brilliant achievements.Compared with the Confucian Classics,the status of Art was inevitably lower in Weng Fanggang's time.But Weng Fanggang loved it from his boyhood.After he grew up,he paid more time on Epigraphy,Painting and Calligraphy Art.His Interests about the Art reflect in all aspects of his life.He talked it with his wives,his friends,and wrote lots of Tiba for art works.He lived a academic life,is mainly reflected in his learning and studying in Epigraphy,Painting and Calligraphy Art.Chapter II Discussed the meaning of Tiba and the species of WengFanggang's Tiba.Tiba is a variety of classification.Weng Fanggang wrote a great number of Tiba essays and poems,and these essays and poems is showing a diversity of characteristics.The chapter inscribed objects of a variety of factors affect the creation of its Tiba style and the content.Self-inscribed Tiba essays and poems are more freely than these wrote for others.And the essays and poems on works of the ancients are more Serious than those on the works of his time.When he wrote Tiba for his friends'works,Friendship often would be written.Meanwhile,most of Weng Fangfang's Tiba is objective in the style,but the Tiba of pictures is more subjective than the others.The third chapter elaborate Weng Fanggang's Tiba style and stylistic view.This chapter takes a macro approach and have a bird's eye view on Weng Fanggang's Tiba.Weng Fanggang involved mainly his style in "Ti","Ba","Ji","Xu","Shu","Zan" and other types.Among them,"Ba" is the most academic and serious genre.It's more strict on style or manner of writing,The content present in more research and seldom including optional feeling.Compared to Ba,The other genres seldom obey the strict rules of writing.Weng Fanggang paid more attention to genre rules,meanwhile,there are some innovations in his Tiba.The fourth chapter talks about the relationship between Yili,textual research,literariness and Jili theory which Weng Fanggang propounded.Jili theory has been the research focus of Weng Fanggang poetics,but the implication is rarely be discussed in its entirety.This chapter deals with the sporadic contact Weng Fanggang poetry review,persist in that 'Jili' not only including Yili and literariness,textual research is also a important factor."Poetry and essay is same in some way",the theory that Yili,textual research,and literariness be combined perfectly in poems and essays writing is WengFangang's important proposal and a effective way of how to write poems and essays.The Tiba poems and Jili theory shows a reciprocal causation relationship between theory and practice.The fifth chapter analyzes the Yili of Tiba.Yili,Weng Fanggang argued in which involves many meanings,like ethic,Moral Reasoning,history,nature and other objective facts of "knowledge".All of these are talked about in the Tiba.the history of Tiba object and their creators are emphasized.Moreover,he also tried to set up spiritual moral ideals in his Tiba.The sixth chapter specifically for the textual research and appreciation in Weng Fanggang's Tiba,Textual research in Tiba has its traditional factors and so many Tiba essays and poems be written that it effects the style of Weng Fanggang's poems and essays.The textual research and appreciation is two factors of his Tiba.Paying enough attention to both factors is a great contribution which Weng Fanggang made in epigraphy,painting and calligraphy arts.Moreover,the chapter take the Tiba of CaoQuan Tablet as a example to prove the peculiarity of Weng Fanggang's Tiba.The seventh chapter expounds literary factors of Weng Fanggang's Tiba.Weng Fanggang did not ignore emotion expression and pretty words when he wrote Tiba.In poems,he applied annotation for clearly expression.Tiba style is less emotion expression.The feature not only can be found in Weng Fanggang's Tiba,but also be found in Yao Nai's.Zan which wrote for portrait,is more exquisite.At the same time,when Weng Fanggang wrote Tiba according to different contents,the types of poetry also be selected.short pomes,long poems and combined poems respectively present a different style.The last chapter investigates on Weng Fanggang's Tiba of the portraits.Portrait Tiba focus on history vein combing.In the section,the character's life and deeds have been given sufficient attention.At the same time,it also contains Weng Fanggang's praise and admiration.Tiba on Portrait assumes more life sustenance and ideal of its author.The chapter is based on the overall investigation,meanwhile,it also choose three groups of Tiba as cases for microscopic study.