Guilin’s Landscape Paintings Of Rustic Charm Of The Performance Of Research

Chinese landscape painting is to show that people are naturally great enthusiasm and attachment, it is a reflection of the harmonious relationship between man and nature, tightly with China’s "Heaven," the traditional way of thinking. Fun and good taste of landscape, landscape paintings reflect the natural and original characteristics, free uninhibited personality and honest detached mood that show in landscape painting is "rustic charm". It is not only aesthetic value, and help artists to express some kind of spirit and artistic pursuit. It reflects a kind of following cause by heart, plain and simple, the ideal of free unruly personality and the realm of life.Natural landscape in Guilin, which Guilin landscape is for the performance object, present Guilin landscape beautiful style and deep meaning with Chinese traditional ink blending form, create the natural forms of Guilin landscape according to subjective, which fully reflects the Guilin natural landscape scene with human feelings. Tasting and cluing carefully, Guilin landscape also reflects the simple and natural, wild Plaza heroic charm, that is, the rustic charm. This interesting complement the beautiful landscape of Guilin and supplement each other with the features of clear and beauty in Guilin landscape. HuangBinhong, Gao Jianfu, Xu Beihong, Huang Dufeng, GuanShanyue, Li Keran, Kong Zhongqi, BaiXueshi and many other famous artists have come to Guilin, created a lot of landscape paintings that base on the theme of Guilin landscape and with distinct Guilin geographical features. They rooted their ink in the traditional Chinese art spirit, style plain nature, and emotional expression of the screen eclectic. These works show the kind of state that people and nature as a whole, the innocent, the most primitive, reflecting the most fundamental and profound traditional Chinese culture. Making the viewers experience a kind of fresh and simple, ethereal and pure rustic charm as they appreciate the beauty of Guilin landscape.The first chapter of the thesis introduces the natural environment and cultural meaning of the landscape of Guilin in detail, the unique natural environment and rich local natural resources provide excellent materials for Guilin Landscape Painting. Because of the warm climatic conditions, which suitable for vegetation to grow, mountains are covered by year-round dense vegetation; bring quiet, simple, inoffensive aesthetic sense. Adding the residential construction in the both sides of Lijiang, which built near river and mountain, embodies the spirit of Imitation Nature. Touring between the Lijiang landscapes allow people to stretch soul, nourish talent, purification of the mind. Men of letters that around the ages lingered over the landscape of Guilin, with its unique landscape aesthetics, fit his mind with the landscape, turned out the value and beauty of Lijiang River by landscape poetry, reflected the realm of Guilin natural environment and human harmony, recording the culture of Guilin landscape. Guilin, the humanities, such as Guilin’s landscape legend, ancient architecture, landscape poetry and painting left on the ancient stone walls and customs and culture of minority, all belong to this column. The natural environment and cultural landscape of Guilin add radiance and to each, making it becomes richer artistic appeal.The second chapter is the key chapter, firstly explains the origin and development of Guilin landscape and aesthetic connotations of rustic charm, then explore the embodiment of rustic charm in the Guilin landscape, citing Qi Baishi, Li Keran, Huang Binhong, ZongJixiang GuanShanyue, Yang Taiyang and other famous works that depicts the landscape of Guilin, and analyze from composition, materials artistic conceptions of performance, excavate the rustic charm that contains in the works. The performance of the rustic charm of Guilin landscape paintings reflected in:true plain natural breath:that of nature; another is natural, that is, without modification, feminine, contrived, a peaceful friendly style. This style is embodied obviously in the Guilin landscape paintings. Secondly free unruly personality:it is real natural feeling gives free unruly personality, such as cattle, boat, white clouds, gulls, wild cranes are common themes in the Guilin landscape paintings, all of these are related to the leisure mood that artist would like to express. The Guilin landscape painting embodies the interesting of free fully by the unique natural beauty of Guilin and the deeply environment of south. Thirdly, freely painting:the creation of artical works relies on the subjective of creators, but they need pen and ink to express emotion when facing nature. The painters can put out on paper without driven by material or time. This style is rather obvious in the landscape paintings of HuangBinHong and YangTaiyang. Fourthly, the simple prospect:this is mainly reflected in the interesting of Guilin landscape paintings, the most typical feature of Guilin landscape is the misty rain and hazy mood, away from the pandemonium of the city. In addition to this representation of Guilin landscape can directly affect the artical style of simple in the picture; the artist’s own artistic expresses this kind of interesting through his writings.The third chapter explores the value of Guilin landscape under the meaning of rustic charm. Explain from two aspects of work quality enhancement and spiritual dimensions of humanity regression. Rustic charm is an aesthetic requirement; the landscape painting with rustic charm means high style works. So the rustic charm waves the shortcomings of sweet, vulgar and tired in the landscape painting, greatly improve the quality of picture, and avoid the vulgar, secular, kitsch phenomenon. And the landscape paintings with rustic charm assist to call human nature back in the spirit level.