| Oracle，which appears as early as3,000years ago, is China’s earliest writing system witha mature system. Oracle was discovered in1899, and in1921, during his spare time ofstudying oracle, epigrapher Luo Zhenyu completed "set of Yin Ruins text Ying quote", whichis the first calligraphy copybook that collects characters on shells in the form of couplet andbegins the process of oracle calligraphy. Books of this kind in later ages are mostly based on it.Oracle has entered the field of art of calligraphy by now, and make sure it is a new art ofcalligraphy. For nearly a hundred years, Oracle calligraphy have had several changes alongwith the development of Chinese calligraphy.The thesis, arranged in historical order, firstly expound on the Oracle original writtenforms and features and times background, as well as the formation of characters and the linequality written by cinnabar ink in the first chapter. In Chapter2, written style of the primitiveinscription on oracle bones of different era is analyzed. It pays attention to learn from theoracle bone scholar, academic, historical data and oracle bones books and academic researchpapers. The Inscriptions experience the end of the Qing monument school, the May FourthMovement, the New Culture Movement, the Cultural Revolution decade and three decades ofreform and opening up, and calligraphical changes for more than90years have differentinfluence on oracle handwriting.In the third chapter，history of oracle handwriting development in recent100years isdivided into three stages from the perspective of calligraphy history (1) the1920s----thefounding of the early (initial stage),(2) mid-twentieth century----1990s (inheritance andinnovation stage), early (3) the end of the twentieth century-----the early twenty-firstcentury (regression and rehabilitation phase). This chapter systematically analyzes that in thestart-up stage,the oracle calligraphy period,during which ancient literal scholars，epigraphists，famous Confucianists and authorities combined research with counterdraw,mainly focuseson the literal accuracy and oracle purity in writing expression.Mr. Wang Yuxin divided oracle Calligraphy creation of this period into "turbinatesscientist" and "oracle bones sociologist” groups. Epigraphists made seal characters blend intooracle calligraphy, which expanded the scope of Oracle creation, and into the art of pen and ink using in seal character as well as couplet form,which greatly enriched the artisticexpression language of the Inscriptions. Oracle couplets work still accounts for a sizeableproportion of the Contemporary Calligraphy Fair. Oracle bones calligraphers, representedby Mr. Dong Zuobin, absorbing from the cinnabar ink writing style, focuses on the pen usedand pays attention to the performance of the "pen as sharp as knife", that is, being vigorousand classic in writing. More importantly, his discussion of the five periods of the ShangOracle-shaped change and the writing style laid the Inscriptions theoretical foundation, andbecame basic evaluation criteria for Oracle, the art of calligraphy style.The formation and development of the art of oracle calligraphy, which dependent on theoracle academic results, provides the basis to scholars on the research model for creation. Inthe late twentieth century, there are only more than10articles which directly relates to thedirection of Inscriptions in Mr. Wang Yuxin’s "The General Theory of Oracle Bones","Chinese oracle bones learning theory (1949---1986)," about1055(academic monograph).Creation of oracle bones calligraphy are the basic continuation of Luo Zhenyu and other setassociative poetry. The turbinates academic exegetical, has been a major breakthrough in thebasic research study to determine the Oracle identifiable vocabulary of about1300----1500Oracle Calligraphy, which is a great promotion, but as to the amount of text for calligraphy,there are limitations. Meeting in Yin Ruins of Anyang in1984set off a nationwide writeOracle, learn Oracle boom.“Grand Inscriptions ", which came out in September1992,involves the culmination work by the first set of modern oracle bones calligraphers, which isfairly rare. It also has great impact on further prosperity and development of Oracle. The bookgathered Luo Zhenyu, Wang Xiang, Tung Tso-pin, and other scholars and turbinates painterlike Pan Tianshou, Lu Weizhao, Pan Zhulan, Sharman Weng, etc. and more than a hundredmembers of the Chinese Calligraphers Association, the Provincial Calligraphers AssociationMember as well as works from Taiwan Hong Kong, Japan, the United States, Singapore andother areas. Spanning73years, this is an important turning point, makes a new creationInscriptions have continuous development for future expansion mode.In the early twenty-first century, the major fairs gradually highlights the unique in artforms; in the late twentieth century for Oracle "means, like, shape” surface of the icon textcreation, exhibition times in the new era demand, oracle bones calligraphy tricks of size,physical content, exhibition effect gradually increasing with the times, the performance ofvisual effects production form and pen and ink techniques, continuously progressive andconstantly changing. Recalling the the Inscriptions nearly a hundred years of artistic creation, and initial exploration, the researchers of the small number of oracle bones and stonecalligraphers combined with knowledgeable, skilled traditional skill, and finally created aunique bones the art of calligraphy. On academic research results in the initial stage, thesecond generation of Oracle calligraphers profound traditional calligraphy skill into thecreation of Inscriptions, the artistic style of the traditional book and pen and ink techniques,the introduction of Oracle Calligraphy, expand the Inscriptions range of artistic creation.Inscriptions creation of the new era in the visual effect of art forms, composition, paper,production has exacerbated the Oracle calligraphy art appreciation, but still works less thanthe level of content and the humanistic spirit, technique and chirography showedcomplementary performance structure stiff and wrong words, which once again shows theimportance of the Inscriptions creative scholars and integrated arts literacy. Oracle basicregularity and unique grasp of the style of book contract, and the family classic works ofdifferent periods of oracle bones book learning, are important in the creation of In the fifthchapter creation focuses on Oracle’s word should follow the basic material of the creation ofInscriptions; the turbinates deed carved features of oracle bones calligraphy pen and Italyperformance; the performance of the Oracle shape space. As the main basis of the artisticcreation of the oracle bones calligraphy. The turbinates calligraphy boom, Chinese calligraphycity, hometown of Anyang, Oracle geographical book Wind in the creation of the NationalCalligraphy Exhibition advantage is apparent. Chapter5detailed from the first to the tenthCalligraphy and Seal Carvings Oracle works into the exhibition rate, reflecting the era ofinformation, creative status and geographical books wind to analyze the origins interpretation.Contemporary Oracle Calligraphy tend to a wide range of creative mode, and constitute a partof the work as a whole to complete a novelty, and strange, seeking visual and Hall effect ofthe pursuit of works and production means. Inscriptions mutual conversion between the mostancient calligraphic art of calligraphy, how to grasp the core of its artistic creation is notmerely a reference Oracle structure and brush writing skills, it is significant that in a certaincharacteristics under the inscriptions, pursue the mystery of the ancient cultural atmosphere ofthe ancient Shang dynasty, is the essence of the Inscriptions need to focus on expression, butalso embodies the essential part of the enrichment of the traditional calligraphy. Calligraphyfrom the scholars of the contemporary Oracle (Hall) convert to calligraphy artists and creativeapproach from the ancient text to the form of ancient writing art into aesthetic refinement bythe ancients to the pursuit constitutes a form of conversion. The final chapter discusses suchan artistic point of view, and combines with contemporary artists, scholars’ points on tricks, ink strokes and spatial structure and stipple rich integration, expanding the turbinatesCalligraphy Art Space to the analysis. One must strive for some new ideas on the culturalconnotations, and play a positive role in promoting the sound development of thecontemporary Inscriptions creation. |
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