The Study Of The Chinese Horror Film

As the earliest genre film, the horror film brings the audience emotional vent or relax, at the same time, which often with a lot of negative psychological feeling. It leads the horror movies to be a controversial film genre. The20’s of last century, Chinese horror film was appeared, however, the special social background and political ideology makes horror films in the mainland of China develop more controversial, more difficult, even for a certain period of time there is no people interested in it. In90, in the Chinese movie market, industrialization under the big background, the horror film in the mainland film market started a new attempt and to explore the progress, which can be said that the mainland Chinese horror film history is a history of struggle said of an aged person.Nowadays, Chinese horror film in the creation should not only consider the unique social and cultural environment, but also thinking of film censorship rules, both in the text of choice, or the operation of the market, the mainland horror show differs from previous creation new look. Based on these cases, this paper takes Chinese mainland horror films as the research object, referring to the related documents, the specific image text, combining history, comprehensive study of mainland horror film from the text created to market operation involves a series of problems, with a view to provide some reference for Chinese horror film development.In this paper, the content is mainly divided into six parts:The first part is the preface, the main contents include topics of origin, research situation and present in previous research on the basis of innovation, which is pave the way for the main body of the paper. The second part focuses on the introduction of horror film. It was mainly divided into two sections.The first section depicts the characteristics of the horror film from the definition. The second section describes the development of the Chinese horror film, and divides into four phrases which is based on the changing context of Chinese social and history, and there are,1920s to1940s,"shiqinian"(which from1949to1966),1980s to the early1990s and the early1990s to now. The third part bases on the second part to describe the influence and restriction of the movie censorship system in various periods. The fourth part is the horror in the narrative strategy transformation, thesis summarizes three change:firstly, the narrative role is from" ghost" to "person"; secondly," the narrative environment by ancient" to" modern city"; thirdly, narrative mode from the "binary opposition between the two" to the" multiple cues in narrative". The fifth part analyses the early and contemporary marketing mode of Chinese horror film. The sixth part is a summary of the full text, and the author express a kind of expectation on the future of the Chinese horror film.