In The Painting In The Exploration Of Pen And Ink Language

At present in our painting showing too much attention to making effect, excessive relianceon traditional programming language, in the form of too much influenced by Western influence,form a kind of symbol type pen and ink language, lost the Chinese painting spirit connotation,effect of the innovation and development of Chinese painting. In response to this phenomenon,the author in many deep life, further north for long time outdoor sketch process, realize theinnovation and development of the importance of sketch for painting, painting pen and inklanguage innovation put forward is the important way of development. When the ink with thetimes. The situation expect us to reform innovation. The author thinks to ink on the objectiveimage and artistic conception are fused, expand the aesthetic objective performance range,deepening of life, to the nature of sketch in inspiration, walk out of new way. Thus in descriptivebreakthrough, mood improvement, we should not only inherit the tradition, also be" search alldrafts". And in to the natural description into their own emotional factors, ink dripping to full ofmodern sense of passion, to write in with scenery. We want to change the passive acceptance ofthe traditional program cognitive style, in keeping with Chinese painting aesthetic spiritconnotation foundation, combined with the traditional pen and ink techniques, moderatelyabsorbing foreign painting factors, to extract the expression for reflected the objective things thenew language, the traditional painting system not found, for the performance of Contemporarynew things new the text appears in Chinese painting pigment, Xuan, to produce a new, vast andamazing schema.Based on the traditional pen and ink and contemporary painter painting works analysis,combined with his own experience of painting and learning experience of ink languagetraditional form, feature and its contemporary development seriously sort out and reflection, inan attempt to sketch some of exploration of pen and ink language.The first chapter introduces the paper to explore why painting language, an overview ofrelevant concepts. The second chapter focuses on the connotation of pen and ink language. In thethird chapter, the traditional pen and ink analysis as the way, from the geographical factors of inklanguage influence proceed with, elaborated the text language in painting in the uniquepresentation. The fourth chapter through to the painter’s work analysis, and painter’s dialogue, toprovide our scholars more real, more close to their life learning method. The fifth chapter is toexplore practice obtained results summary, this sketch is creation of this view.