Forword With Conflict And Integration

In2004, CEPA agreement implemented formally, however, hongkong film encountered the ice age under the good policy. In2005, as the goal of rescuing the film market, inland and hongkong co-production films developed rapidly. Since2005, inland and hongkong co-production films have been developing with linger and grope, so that they became the most powerful branch of Chinese film gradually. The development of inland and hongkong co-production films is not smooth, because there are some difference between mainland and hongkong, for instance, the style of the films, the political system, and the market capacity and so on. Behind the large number of works and the good box office, there are some cultural conflicts as well. Inland co-production films and hongkong co-production films draw the further apart in the different way, even to the extent that fight the enemy separately. Along with the opening of film market in mainland, the steps of Hollywood are tighter and tighter. Relying on inland and hongkong co-production films, the Chinese film industry resist tenaciously, but got little effect. The cultural differences between inland and hongkong became the bottleneck for inland and hongkong co-production film. On the other hand, the development of inland and hongkong co-production films also promoted the culture fusion between inland and hongkong objectively. Hongkong people increasingly identify themselves as "Chinese". The inland film industry changed from cause to the combine of industry and cause. It is becoming more and more commercial. Within the broad market and developed commercial environment, the inland film industry and hongkong business film industry keep completing each other. At the same time, because of the co-production film, the audiences in inland and hongkong got a more profound understanding and recognition to the traditional culture.This paper based on the present situation of inland and hongkong co-production films, according to the natural laws rather than political, economic factors divided current stating point. And it used the theory of intercultural communication to analysis the cultural conflict and fusion in inland and hongkong co-production film. Finally, through the analysis of inland and hongkong co-production film’s development trend, some opinions and suggestions will be advised. co-production film’s The paper first discussed the history division of inland and hongkong co-production film’s present situation, and described "What is the status of. At the meanwhile, it pointed out the background of inland and hongkong co-production film from five aspects, which are globalization, different politic, consumerism, cultural and geographical differences and the renaissance of traditional culture. Then, it used the coding and decoding theory, political theory, geographic differences theory to explain the cultural conflict between inland and hongkong which is behind the inland and hongkong co-production films. The form of data analyzing was to explain the conflict between Chinese film and Hollywood. Later, it explained the culture fusion behind the inland and hongkong co-production films from three facts, which are the identity of hongkong people, the development of inland commercial movies, and the renaissance of traditional culture. Finally, it analyzed the trend of development for inland and hongkong co-production films from2005to2011, combining with the current situation of inside and outside situations. It also suggested for financing channels, modes of transmission and spiritual connotation for film industries.