Preliminary Study Of Chinese Prehistoric Painted Stone Ax

Painted stone ax is a kind of prehistoric relics, which Yue surface perforation on both sides depict painted designs.From the production, development, evolution to the demise across about6500-3500years ago, about three thousand years of cultural history.Dynamic course of development throughout the third millennium painted stone ax, a reflection of the cultural development of the underlying trajectory.Analysis combing painted stone ax from the dynamic distribution of the evolution of function, for further exploration of the relevant cultural background and even the culture of the prehistoric civilization on the eve pattern of evolution, has a greater significance. In this paper, based on archaeological materials on the basis of the six parts of prehistoric painted stone ax to do a preliminary study.Part I:Introduction.Painted stone ax of the current research and the research method, purpose and meaning to give instructions.Part II:the painted designs and the stone ax strapped.Based on academic currently exist on the painted stone ax is intentionally portrayed the dispute or bondage contamination on the basis of the painted pattern typology analysis to sort out the most important issue indeed painted stone ax rather than bondage contaminated, and this articlethe scope of the study are briefly described.Part III:spatial and temporal distribution.Combination of factors such as cultural background, and investigated the dynamic distribution of painted stone ax in four phases.Were:the early stage of6000-5500years ago, located in the Taihu Lake region;Early stages of5500-5000years ago, located in the Taihu Lake Basin, southwestern Anhui-the eastern part of Hubei, northern Hunan region;The medium term,5000-4300years ago, located in the Taihu Lake basin, Subei-Haidai, southwestern Anhui-eastern part of Hubei, Jiangxi West;Late stage,4300-3300years ago, scattered in the Taihu Lake Basin, Hubei, northern Guangdong and Central Plains.Part IV:Development and Evolution.Painted stone ax in the early stages of the Taihu Lake region, the painted shapes are mainly born out of the stone ax strapped down "å…«" shape, or some trident.Early stages of painted stone ax in addition to the Taihu Lake area, there are more found outside, but also up river in the ruins of the Xuejiagang cultural circle in the middle and lower reaches of the Yangtze River and middle reaches of the Yangtze River Qujialing cultural context to draw City Gang painting more elaboratethe original pattern of the Taihu Lake Basin painted stone ax becoming more diversified, solid and hollow style differences.The middle stage of painted stone ax early on the basis of the new extension to the Subei Haidai and Ganxi painted shapes are becoming single and ultimately are the Taihu Lake Basin simulated bondage and B-type painting.Late stage in addition to the Taihu Lake Basin Qian Shan Yang appear a ink painting back to the Wen Shi Yue separate compartments in the past, painted stone ax and I are the Taihu Lake Basin sub-grid are outflow of his land.Part V:function.Liangzhu painted stone ax in the Liangzhu culture jade ax background of painted stone ax and painted stone ax unearthed, painted material ownership, comprehensive analysis, the items of Liangzhu society senior delegate to the way we organize society when thingspreliminary judgment.And combination of its own can reflect a certain prestige derivative effect at the stage of development among the painted stone ax.Preliminary draw a painted stone ax from start to finish the function of the evolution of the course.Part VI:social background.Combination of painted stone ax the entire evolution of the analysis of the course and cultural backgrounds come to the Liangzhu Culture north to the formation of Liangzhu-Floral Hall regime, after Wang Youfang type push back the scattered formed well Sichuan culture and the San moved to southern China, the Yangtze Riverin the upper reaches of the Central Plains to the initial inference.