Anti-Rationalism Of The Rationl

First generation leader of the Frankfurt Adorno, the originality of philosophicalbasis of the negative dialectics of the ideas of modern art brings a new way of thinking;And the dialectics of enlightenment, Horkheimer authored re-examining the impact ofenlightenment to the people, and that caused these effects and treatment technology ofidolatry.In this paper, in order to" Dialectics of enlightenment"," negative dialectics" as"study of Adorno aesthetic theory" in the modern view of art philosophy foundation, andto seek the views of modern art influence factors. As a result of Adorno’s philosophyfoundation of the deep, and the writing style of" the system", reading Adorno’s text, tothe German tradition of philosophy and the arts development process has detailedknowledge, they can obtain more accurate knowledge. Even so, the author ’s academicability, not a mistake, but, in Adorno’s perspective of his writings, the author attempts tomake the purpose of this paper is to try to solve, the problem.At the beginning of the last century to the middle, in modern society, all art formsappear to follow the Hagel said the " cycle theory" in their path, and at this time,Adorno’s concept of modern art is undoubtedly a startled day thunder, bring the people anew way of thinking. Adorno’s death one day, a group of students who worship, withinsults mode, puts forward the future requirements of Adorno’s art development thecorrect path, he hurriedly went to Switzerland, and died of heart disease leaving.Although his life without a solution to the development of modern art, but he left behindthese problems, but to later scholars one round another round to face him questionsdiscussion and controversy.This paper is divided into our parts, part consists of an introduction,three chapters and a conclusion. Introduction section describes problems withthe paper source, review of related definitions, and methods and new about this paper.Chapter I focuses on Adorno’s thought and its background, the formation of theformation conditions of work and the work of modern art concept. Papers focusing onchapter II and chapter III. Chapter II focuses on Adorno’s thought of to problems of modern art, chapter III describes the commercial impact of the popular forms of modernart. But in the second and third chapters interspersed with some art forms incontemporary China and its effects. Conclusions part illustrate my point, in Adorno’sview of modern art, and not just simple save or save the problem, he proposed no ideasacross the fields of art, art criticism, in fact, is another aspect of rational thought.