Language Studies On "The Thousand-Character Classic"

“The Thousand-Character Classic”as a teaching material of TongMeng written in the Wei JinNan Bei Dynasties, is in a connecting link between the preceding status in TongMeng reading of ancient China. The author, ZhouXingSi, in the Emperor of liangwu who was in the period of Nan Dynasty, worshiped ShiLang of the AnCheng kingdom.“The Thousand-Character Classic”is his most popular work. On account of the fact that it was clustered by a thousand words rubbed from thestone inscription of Wang Xizhi, as a result, it was favored by calligraphers of successive dynasties in1400years. In the syntax,“The Thousand-Character Classic”four words in the sentence, and tidy and lively, similar to the” the book of SiYanShi the characteristics of simple ZhengChi, also have broken lines of flexible character, and the content of the same or similar for using the same or asimilar sentence, help to let readers better distinguish and memory contents, it’s these characteristic also has greatly affected later“The Thousand-Character Classic”,“the most common names account”,“the young learn ourselves” and so on the work.“The Thousand-Character Classic”use of rhetoric, vivid, the use of the dual full, rich, included, both with the characteristics of The Times and southern and northern dynasties period, and slamthe door pianwen richly coxcombical, has the profound literary value, of which many idioms circulates.“The Thousand-Character Classic”rhymes in inherited the book of songs "tradition, every two sentences as a group, each group of two sentences a rhyming, the first group and the last group has also rhyme, jumping over127words a rhyme. Make it read to beautiful.