The Criticism Of Tao Yuanming’s Poetry And The Formation Of Poetry’s Plain And Natural Aesthetic Ideal In The Song Dynasty

In Chinese poetry development history, Song Poetry in Tang is not more famous than Tang Poetry, but it has its own unique style,and now we can not ignore it in poetry research. Its unique is due to the change of Song Dynasty poetry aesthetic pursuit, and the change is due to subjectivity and objectivity. Subjectively, Song Dynasty would not go with Tang Poetry, because it’s difficult to do better. Objectively, not only the political environment but the Cultural psychology has been changed,which can not create Tang poetry. Therefore, it’s inevitable to construct a new aesthetic pursuit of poetry in Song Dynasty. Although there are lots of factors which influence, we still can find the most far-reaching impact, it is Tao Yuanming.Tao Yuanming’s poetry is not payed attention to in his dynasty and Tang Dynasty, because the poetry style is not in accordance within the aesthetic pursuit. He is just famous ans a noble hermit. In Tang Dynasty, although many poetry works mentioned Tao Yuanming, they still respected his character more than his works. Until Song Dynasty, Tao Yuanming’s poetry has taken earthshaking changes, and become the highest pursuit of ideals, and the style of plain and natural also become the Song Dynasty poetry aesthetic pursuit.Then, we should pay attention to the relationship of the criticism of Tao Yuanming’s poetry and aesthetic pursuit of Song poetry. The relationship between the two is not only the former effects the latter, or the latter effects the former, but a dialectical relationship of mutual construction.it’s not the mutual construction, but throughout the Song Tao Poetry comments and it accords a logical sequence. The aesthetic pursuit to plain and natural led to the discuss to poetry of Tao Yuanming’s poetry in Song dynasty, and Tao Yuanming’s poetry make the aesthetic pursuit to plain and natural even deeper. Therefore, Song Dynasty made Tao Yuanming more famous in the poetry circles; at the same time, Tao Yuanming also made the Song Dynasty poetry aesthetic ideal and pursuit. Through the interpretation of tao yuanming poetry, the Song dynasty established a unique poetry aesthetic pursuit This article is focused on the relationship of mutual construction.The full text is divided into five parts, the first is introduction, explaining the research purpose and research significance, research status and problems, research ideas and framework of the paper. Then is the main part of this thesis,Chapter One:he criticism of Tao Poetry and the aesthetic standard before Song dynasty, and it is divided into two parts:the first part is "he criticism of Tao Poetry in Nan dynasty of Dongjin and the aesthetic standard of Shang Wen Qiu Xin", the second part is "the criticism of Tao Poetry in Sui Tang dynasty and the change of the Poetry aesthetic pursuit". Chapter Two:the poetry aesthetic pursuit of Song Dynasty and the rediscovery of Tao poetry, and it is also divided into two parts:the first part is "the aesthetic pursuit of Song Dynasty:Insipid and natural’, and the second part is "Tao poetry as poetry aesthetic ideal position".Chapter Three:The enrichment and deepening to the aesthetic ideal of plain and natural by Song Dynasty’s criticism to Tao poetry. And it is divided into three parts:the first part is’The Tao poetry’s criticism in Song dynasty and the plain natural connotation of "plain"", the second part is "The Tao poetry’s criticism in Song dynasty and the plain natural connotation of "sapid"", and the third part is "The Tao poetry’s criticism in Song dynasty and the plain natural connotation of "real" and "natural"".Chapter Four:The style of "plain" and "natural" of Tao Poetry’s infiltrating to the the poetics concept in Song Dynasty. It is divided into four parts:the first part is "Subject’s Emotion Psychology of detachment and unworldliness and poetry’s aesthetic ideal of "plain" and "natural"", the second part is "Exploration to the way to aesthetic ideal of plain and natural", the third part is "Create a poetry style different from the Tang Dynasty:Plain and philosophic", and the last part is "Cultivate a new appreciation standard:plain and Long lasting appeal".There is a dialectical spirit from the beginning to the end in this paper, which makes the relationship of the Tao poetry criticism of Song Dynasty and the aesthetic pursuit of Song poetry more objective and thorough.