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Discussion On The Ravel’s Piano"Sonatina" Characteristics Of Performance

Posted on:2013-11-08Degree:MasterType:Thesis
Country:ChinaCandidate:Y N SiFull Text:PDF
GTID:2235330374491924Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
According to historical records, Xi Qin as China Northern Minority Xi family created by the instrument, its origin from the Central Plains region of China popular plucked string instruments your. The Tang Dynasty Chinese Central Plains region, the song and Yuan Dynasties with the public the development of music, Xi Qin with its mimicking vocal impression characteristics and portable form gradually developed, both in folk music instrumental ensemble or court music occupies very important position in. During this period Xi Qin finished gradually by bamboo bow horsetail bows to the transition. During the Ming and Qing Dynasties, with the art of opera prosperity especially local drama production, Xi Qin class of huqin derive many forms and performing techniques of various huqin, forming a large huqin family. At the same time on the Korean Peninsula, Xi Qin presents a different development evolution. The Song Dynasty period, Xi Qin introduced into Korean Peninsula and Gao Liguo, were used for the Palace Township music. North Korea period, rural get extensive development, Xi Qin has also received attention, along with the" process of gagaku music" Xi Qin was applied to the temple music, Korean interim, Xi Qin completed by light according to the normal force in transition. The north end of Xi Qin, have been widely used in ritual, music, bamboo wind, string wind and percussion, orchestra, Royal fine music as well as the west, such as Yu as the representative of folk music have occupied an important position, become Korea national most representative of national instruments. Xi Qin in different geographical, ethnic, culture of the development process, along different development, with two different patterns of development has become China and the Korean Peninsula in different traditional culture important carrier.In this paper, the author mainly uses the music history with Archaeology of music, music image, music literature and other research methods for Xi Qin in China and the Korean Peninsula development evolution of morphology were historical investigation, and analysis of its causes.The main content of this paper includes the following three parts:the first part, Xi Qin in China’s origin and development, mainly through historical documents, archaeological data from music and music image data, for Xi Qin in China origin, evolution history of detailed and meticulous combing. The second part, Xi Qin Korean Peninsula in development and evolution. The same is the use of music history research methods, combining with historical documents for Xi Qin was the Korean Peninsula time, pathways, and Xi Qin in the Korean Peninsula has evolved, becoming the Korean minority representation of musical instrument of carding process. The third part, Xi Qin in China and the Korean Peninsula and the evolution of law and reason, the Xi Qin in China and the Korean Peninsula and the evolution of law and reason are summarized and concluded, and attempts to analyze the differences, and from China and the Korean Peninsula National Constitution and the historical status in two aspects were simple reason analysis.
Keywords/Search Tags:Xi Qin, China, the Korean Peninsula, development andevolut ion, reason
PDF Full Text Request
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